mark antonich did one amazing thing, he invented his cinema, he rushed into cinema, when into televisionand his work, a feast during the plague, ah, 12 chairs filmed in ostankino, then this is an ordinary miracle, beautiful and that same munchausen, and the formula, that’s all... this is all television, this television cinema, which then over time became fashionable, although lioznova, the great lioznova, made a television film 17 opinions of spring, which captured the souls of all people, viewers from little to great and i have to tell you that i was very little, i was about 6-7 years old, you were walking down the street, the street was dying out when 17 moments were going on, so i even had my father’s film... that’s how they were taken away for quotes, like, probably, 17 moments, and before 17 moments ago chipaev disappeared into jokes and quotes, if you remember, well, i... i don’t know the secret, i know that, of course, he created his own cinema, which does not enter into any competition, rivalry with hollywood paintings, not with paintings by nikita sergeevich mikhalkov, not with

mark antonich did one amazing thing, he invented his own cinema, he rushed into cinema, when into televisionduring the plague, but... 12 chairs filmed in ostankina, further this is an ordinary miracle, beautiful and that same munchausen form, this is all this television, this television cinema, which then over time became fashionable, although lioznova, the great lioznova made a television film 17 moments of spring, which captured the souls of all people, viewers from little to great and... i have to tell you that i was very little, i was 6-7 years old, you are walking down the street, the street died out when 17 minutes passed, so i even took away my father’s films for quotes, as probably 17 moments, and until 17 moments more like this in jokes, chipaev went into quotes, if you remember, well, i don’t know the secret, i know that of course he created his own cinema, which does not enter into any rival competition. a different matter, this is necessarily communication with the audience, these are slightly different laws, what exists in the theater, cinema very rarely conveys, you know, the v

that the basis was written by sergeevich konchalovsky together with friedrich greenstein , so mark antonichwonderful motel decided that he needed letters like these, attracted mark anatolvich’s father, took him, showed him the footage, which... as my father told me, he didn’t really like, and he wrote these letters, in my opinion wonderful, he he wrote to my mother, letters to me too, but somehow i was still at that age, well, somehow he writes and writes, although i have some letters lying around to annoy him, my daughter, do you make me happy or do you sadden me, my dear wife, nina tikhonovna, yes, when we were leaving with my mother somewhere to rest, and he worked, he wrote to my mother, my mother’s mother, periodically wrote some letters, well, it was such a kind of game, probably, but how did mark anatelevich’s debut in the cinema take place, how it happened, we watched this you know, when in 1973 mark anatolvich was called somewhere very high, a man named grishen told him that despite all his shortcomings, and we know about them, my father told me this, we... are appointing you chief