mark bradford's obstruction of the scene urges us bradford's obstruction of the scene urges us to re—examinetheir history, the filters through which we view history, questions about who gets to write history. and questions about how we might contest history over time, and how it changes. there is no one single narrative that tells the history, whether it be a battle or a grand narrative about an entire country. the 400 foot long piece is a series of eight panels consisting of layers of eight panels consisting of layers of paper weighing about £800 each. -- 800lbs. of paper weighing about £800 each. -- 800le. a of paper weighing about £800 each. —— 800lbs. a picture of the original pickett‘s charge is embedded in the layers. mark bradford, at six foot and outsize artist, like it is processed to archaeology. one like most is the case. i think this is modern archaeology. there was a work underneath, and they were about, and it made that, so it is like a trace. the layers are scored, ripped, rubbed, and generally torn apart. i can pull this? yes, pump it up. just pull it, give it a little... yes

mark bradford's abstraction of the famous scene urges us to re-examine what history means today. >> iark's projects as questions about how we filter history, the filters through which we view history, questions about who gets to write history, and questions about how we might contest history overtime and how it changes. there is no one single narrative that tells the history, whether it be a battle or a grand era of -- grand narrative about an entire country. >> there's a series of eight panels consisting of layers of paper, weighing about 800 pounds each. a reproduction of the original pickett's charge is embedded in the layers. 8" is an, who at 6' equally outsized artist, likens his process to archaeology. >> what i love the most, i think it is my own archaeology. rope underneath and i pulled the rope out. >> the layers are scored, ripped, rubbed, and generally torn apart. >> you pump it up, just pull it. like your hair, when your hair needs poofing. like that. >> although seemingly random, the final work looks well planned and organized. >> i think mark is one of the most important

mark bradford's abstruction of the scene urges us to re—examine what history means today.ugh which we view history, questions about who gets to write history, and questions about how we might contest history, over time, and how it changes. there is no one single narrative that tells the history, whether it be a battle, or a grand narrative about an entire country. the 400 foot long piece is a series of eight panels consisting of layers of paper weighing about 800lbs each. a reproduction of the original pickett‘s charge is embedded in the layers. bradford, who at 6'8" is an equally outsized artist, likened the process to archaeology. 0ne like most is the trace. i think this is modern archaeology. there was rope underneath, and i pulled the rope out, and it made that, so it is like a trace. the layers are scored, ripped, rubbed, and generally torn apart. i can pull this? yeah, yeah, pump it up. just pull it, like, give it a little... that is robust! yeah, like that. that is good. like we do have. when your hair needs... poofing? poofing, like that, yeah. although intentional