here we have got mark rylance playing an english taylor and he's here we have got mark rylance playing he's up against those rough mobsters from chicago. that contrast is quite interesting, obviously that dynamic, as you can see from that clip he is elder statesman and actually one up on them in terms of intelligence, so it's about kind of a battle of wits really even though he's displaced from his own community. you have chosen as best out, the novice. it's hard to stop into any particular genre. it's hard to slot that into any particular genre. it is, i'm calling it whiplash with female rowers because it's a story of obsession. it's from writer—director lauren hadaway, a collegiate rower in the usa so knows what it's like to do that. it stars isabelle fuhrman as alex, and she joins the university rowing team and becomes absolutely obsessed with succeeding at this. you don't really know where this is going to go tonally, she is not the best rower, but she is so determined, she's pushing herself so far, she's hurting herself, getting into all sorts of bother, psychologically, so it's f

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compartment no 6, a finnish drama set in a train, and finally the outfit, a mafia thriller starring mark rylancee first one, the second one let me down but this when i think it's an improvement. jude law plays professor dumbledore is falling out big style with this old friend gellert grindelwald played by mads mikkelsen, very well, i thought, and dumbledore assembles a team of musicians, wizards and a model to seek down gellert grindelwald and fix everything with many tricks and confusing plans. let's look at a clip of them on the train. right then... i imagine that you're all wondering why you find yourselves here. and, in anticipation of that, dumbledore asks that i convey a message. grindelwald has the ability to see snatches of the future.

this recently opened the glasgow film festival and it stars mark rylance as a mild—mannered tailor ing rush? every second the rat is alive - is another second that your father is in danger. gentleman... i know your father, master ritchie. your father would want you both to take a deep breath. now, i'm glad you said that. my father... my father, francis. it's my father who is in danger, not yours. always brilliant, mark rylance but you mentioned theatrical earlier and actually i think that's the biggest drawback with this film, even though it's very well written, it's a single location and it feels like you're watching a play. it almost felt like i would have enjoyed it more if i'd seen it in the theatre. every time a new character bursts through the door you are expecting a round of applause from the audience. it feels a little bit mannered, but i think there is enough to enjoy in the plotting because there's a lot of twists and turns even if you see them coming you enjoy them. it's difficult with film because you do expect it to be movement, different scenes, almost like a wasted opp