she sent me out of the room and kick me out of school. >> marlon brando gave what robert schaub laterd me%<#Ñs the platonic ideal%s of performg shakespeare. he said he saw it in the same room at the same time with the turbo guard -- dirk bogardu"9 ad laurence harvey. they looked up and looked at one another and realized that this american had achieved perfection, because he not only played it with emotion, he played with rhythm, poetry -- it was the perfectsú synthesis of everything anyone had ever wanted. tavis: so that is brando. why was dreyfuss in that class? how did you know that with your gift? what convinced you that you belong to there? >> i have opinions about everything on earth. when i have that rare occasion when i do not have an opinion, it is like a blessing. i don't have any idea, but i know that when i was eighth, i said to my mom, i want to be an actor. she said, don't just talk about it. i went down to the jewish center never stopped. i could not tell you why. i just knew that it was a fact, '7llike a nuclear pellets in my heart. i had no doubt of my success at all.

he would be -- >> jimmy: marlon brando. we have a clip from the movie.tup, because -- >> really? >> jimmy: you play will's wife -- >> you got it. >> jimmy: you're a perfect wife. >> you got it. >> jimmy: he's had a lot of expeer against with very beautiful women. >> doing amazing. >> jimmy: and thinks of you as maybe not quite up to his standards? >> amazing, yes. >> jimmy: which is ridiculous. >> exactly. >> jimmy: and i think that's all i need to say. >> you got it. >> jimmy: here it is. this is my new movie "the other guys." >> are you really his wife? >> i know. people are shocked because heof that, but it works. >> are you going to change? >> i already did. >> no big deal. you look really nice. >> terry, you don't have to mr. polite, okay? >> don't speak to her like that. >> if i put that in my cosmo fashion app, you would probably get an d-minus. >> he loves those apps. he designs them. one of them, you can take a picture of anybody's face and i will tell what you the back of his head looks like. >> it's going to hit. >> jimmy: it's called "the oth

what it was like to kiss marlon brando? >> larry: he kissed me, okay?ere was a moment there. >> larry: all right. let's get it straight. at the end of the first interview, i interviewed him subsequent to that, he for some reason kissed me on the lips. and. >> yeah. >> larry: you want to know the truth, laura. i can't stop thinking about him. >> i sensed it. i sensed it. there was a glow, larry. when he took the kleenex and blotted, your face, i remember that. >> i think you like it too. >> larry: laura goes around underground garages looking for diaries. we'll be back and talk about "the view," right after this. tee how drivers can get discounts up to 40 percent. your neighbors -- your neighbors can tell you, too. they're probably some of state farm's 40 million drivers. so talk to them. then call a state farm agent like me. call her. then call a state farm agent like me. [ malhis day starts thwith his arthritis pain.. that's breakfast with two pills. the morning is over, it's time for two more pills. the day marches on, back to more pills. and when he'

what it was like to kiss marlon brando? >> >> larry: he kissed me, okay? >> there was a moment there. >> larry: all right. let's get it straight. at the end of the first interview, i interviewed him subsequent to that, he for some reason kissed me on the lips. and. >> yeah. >> larry: you want to know the truth, laura. i can't stop thinking about him. >> i sensed it. i sensed it. there was a glow, larry. when he took the kleenex and plotted yo blotted, your face, i remember that. >> i think you like it too. >> larry: laura goes around underground garages looking for diaries. we'll be back and talk about "the view," right after this. dr. scholl's. pain relief is a step away. >> larry: back with laura ingraham and marc lamont hill. president obama covered a wide range of topics with the ladies of "the view," including race. here is a short excerpts from what he said. >> your mother was white. >> um-hum. >> why -- would it be helpful or why don't you say i'm not a black president, i'm biracial? >> you know, when i was young and going through the identity crisi

i grew up reading books about laurence ouvrier and richard burton and marlon brando and studio system. i wish that the old studio system were still in operation where they just assign you roles, how it was in drama school they put the list up on the board. oh, mime playing -- >> everybody. >> charlie: julius cesar. >> just a did what was assigned to you as opposed to having to filter through the scripts. >> charlie: do you have any idea what compass guided you through all of this? >> i think it was my own instinct. luckily, i'm one of the rare actors to have gotten this training then been formed, handed an equity card, told my john houseman go get on that bus and tour across the country. playing in "three sisters" and whatever. these great roles that most of which i was too young for but great building blocks for any actor. that experience, four years that have then -- i was fortunate to work with actors that i admired to and looked up to. >> charlie: they used to call you kevin decline. >> still do. >> charlie: why did you take "the extra man"? >> no arm twisting. i just jumped off t

he got his first break when he was accepted at the actor's studio in midtown manhattan, where marlon brandond paul newman were trained in method acting, which teaches actors to draw on their own life experiences. do you think you'd be successful if this place hadn't been here in new york? >> pacino: well, it think it had a lot to do with my success, because when i was younger, they weren't hiring people like me to play in shakespeare, or anything else, or moliere or noel coward. you could do everything here. but you just keep going. >> couric: on the streets of greenwich village today... >> pacino: hi, how are you? >> couric: ...walking with al pacino feels like old home week. >> pacino: hi. sorry for the intrusion. hey, hi, guys. >> couric: does this happen wherever you go? >> pacino: if i go with a big camera and you, i think then it might happen. >> couric: his mother never lived to see moments like these. she died when he was 21. was it hard that she never saw you attain success? >> pacino: yeah, it was. and my grandfather, too, who raised me. those are the two most important people in

. >> reporter: and the wild one with marlon brando? >> i don't like cops. the clubs and the street corners and the subways of urban america, a different sound was beginning to flow into the wider, whiter america. >> hello, everybody. how are you all tonight? this is the old king of the moon dogers. >> reporter: when a cleveland disc jockey goon playing so- called race music, rhythm and blues, to his white teen-aged audiences the reaction was explosive. ♪ >> reporter: a dance he hosted back in 1953 in cleveland drew thousands of teenagers, black and white. and when alan moved to new york in 1954 his radio broad casts, his live stage shows and his movies provided the fuel for the rock'n'roll explosion. ♪ you don't remember me ♪ but i remember you >> reporter: that explosion helped fuel the dreams of stardom for countless young people. >> dude, what's up, babe? >> reporter: among them clarence collins and anthony gordine who grew up in the fort green projects of brooklyn. >> yeah, this is it. >> reporter: they spent afternoons looking for an echo at the subway

i just love the fact that you've got marlon brando, "i could have been a contender," clark gable, "frankly estelle reiner basically with those people. i get a kick out of it. >> it's as it should be. >> i'll have what she's having. >> we always end our show with a song. >> okay. >> the guest always does something -- it could be a song that your movie clip reminds you of. you could go back and sing "those were the days." but a need a little bit of a song. ♪ what's your name, is it mary or sue ♪ ♪ what's your name, do i stand a chance with you ♪ ♪ it's so hard to find a person ♪ >> anyway, that's it. >> what an incredible career he's had. two of my favorites, "stand by me" and "a few good men." >> you can't handle the truth! >> one of my favorites. >> and when you think this is like a legacy. so rarely do you see a father like carl reiner who was a director go on to have a son who is just as talented in his own right. >> a family dynasty, love it. >> i never knew that he was behind castle rock entertainment. if you don't think you like carl reiner movies you probably do. "princess bride," "a