marlon brando was cast in the - they massacred my boy. marlon brando was cast in the pivotal. his performance ended up defining the film. i and his performance ended up defining the film.— defining the film. i have a sentimental _ defining the film. i have a sentimental weakness i defining the film. i have a sentimental weakness for j defining the film. i have a i sentimental weakness for our children and i spoil them, as you can see. children and i spoilthem, as you can see-— you can see. they talk when they should _ you can see. they talk when they should listen. - you can see. they talk when they should listen. it - you can see. they talk when they should listen. it was i you can see. they talk when j they should listen. it was 47 years old when shooting began in the low point of his career. he did a screen test for the part and taught handkerchiefs in his mouth to create the voicey wanted.— in his mouth to create the voicey wanted. what is in this for my family? _ voicey wanted. what is in this for my family? during - voicey wanted. what is in this for my family? during fi

marlon brando was cast in the pivotal role of don corleone.'t want him, but coppola prevailed and his performance ended up defining the film. i have a sentimental weakness for our children and i spoil them, as you can see. they talk when they should listen. he was 47 years old when shooting began, at a low point of his career. he did a screen test for the part. he put paper handkerchiefs in his mouth to create the voice he wanted. what is the interest for my family? during filming, he wore this dental plumper, now an exhibit at the museum of the moving image, to make him sound and look different. how did things ever get so far? i don't know. i mean, coppola said he wanted — he'd get for — either for the part either brando or 0livier. 0livier wouldn't have been good for that part. but brando, he took certain chances with a certain mouthpiece and so forth, but it worked because he could bring an inner sense of intensity and truth from within himself, you know? within quotation marks for the part, you know? although he read his lines! he put up b

marlon brando was cast in the pivotal role of don corleone.'t want him, but coppola prevailed and his performance ended up defining the film. i have a sentimental weakness for our children and i spoil them, as you can see. they talk when they should listen. he was 47 years old when shooting began, at a low point of his career. he did a screen test for the part. he put paper handkerchiefs in his mouth to create the voice he wanted. what is the interest for my family? during filming, he wore this dental plumper, now an exhibit at the museum of the moving image, to make him sound and look different. how did things ever get so far? i don't know. i mean, coppola said he wanted — he'd get for — either for the part either brando or 0livier. 0livier wouldn't have been good for that part. but brando, he took certain chances with a certain mouthpiece and so forth, but it worked because he could bring an inner sense of intensity and truth from within himself, you know? within quotation marks for the part, you know? although he read his lines! he put up b

great actors including marlon brando and al pacino. >> i handle one client.orter: robert duval credits one man for making the godfather work. >> coppola. the director. at the beginning they were going to try to fire him during the first couple weeks of work. i gained a lot of respect for him. his filmmaking and his casting made it all work for me. reporter: -- >> i thought you weren't going to become a man like your father. >> my father is no different than any other powerful man. reporter: the reason the godfather may have endured is because it has classic themes. >> it was less about gangsters and more about power and a powerful family and the succession of power. the machiavelli and way that real power works in the world. >> don't ever take sides with anyone against the family again. >> the highest grossing film ever made, a block ester that was also a work of great art. >> they massacred my boy. reporter: it is a dark fable and giving modern audiences a picture of a very unsettled america at the time the film was made. >> it was made at the start of the 1

and he showed he could hold his own against the likes of marlon brando.s guarantee our investment? well, almost. his next big hit also explored the themes of violence and community. synonymous with the ultraviolent game of the title. get out of this dressing room! that same year, he also demonstrated his lightness of touch... ..opposite barbra streisand in funny lady. all right, listen, we had a little technical trouble in the first... a little technical trouble? get out of this room, you little bum! throw him out, can you throw him out? but at times, his party lifestyle threatened to overshadow his career. there was alcohol and drugs, at the playboy mansion of his friend, hugh hefner. it was confinement at a very different kind of venue that helped re—establish him as a star. in misery, he played a writer, imprisoned by his number one fan... you... remember how, all those years, nobody knew who misery�*s dad! dad, hi, it's me! i don't want you to leave. from the murderous son of a mobster, to eventual loving father, james caan could do it all. back to ou

don corleones beat and the hooves saw in her only marlon brando, but the producers resisted in their was too eccentric, he could disrupt the shooting and, again, did not guarantee the success of the picture, then the cop. when brando came home to make an audition, the handsome marlon instantly changed in the frame, putting his lower jaw forward and uttering phrases in a low voice that could not stand objections, he was resigned. well, and finally, the third problem. mafia as soon as it became known that the filming of the creator began to receive threats from new york. the clans even had to show one of the leaders the script and completely delete the word itself from it, mafia, some gangsters. as a result, they even starred in episodic roles and worked on the film as consultants from screenings, the mafiosi left, brushing tears from their faces. well, the dome itself did not even come to the premiere. he believed that the film would fail, not sure of himself at first, no one liked the picture, the only person that cheered me up was a wonderful screenwriter chatty. he said, you know,

and he showed he could hold his own against the likes of marlon brando.s lightness of touch. get out! you know, if you could sing half as good as you could yell, we'd have a hit. 0pposite barbra streisand in funny lady. all right, all right, all right. listen, we had a little, a little technical trouble in the first act. that is all. a little tehnical trouble?! the trouble we got in both acts - is we've got an amateur producer's messhugeneh fur buffalo! but at times, his party lifestyle threatened to overshadow his career. there was alcohol and drugs, and he spent months living at the playboy mansion of his friend, hugh hefner. it was confinement at a very different kind of venue that helped reestablish him as a star. in misery, he played a writer imprisoned by his number one fan... you... ..and who fought back against his captor. remember how, for all those years, nobody knew who misery�*s real father was? it's all right here. dad! and for a whole new generation, he was the reluctant father in christmas favourite, elf. # come on, it's lovely weather... d

and he showed he could hold his own against the likes of marlon brando. �* , ., ., brando.hat the italians guarantee - brando. are you telling me that the italians guarantee our - the italians guarantee our investment?— the italians guarantee our investment? ~ ., , investment? well, almost. his next big hit— investment? well, almost. his next big hit also _ investment? well, almost. his next big hit also explored - investment? well, almost. his next big hit also explored the i next big hit also explored the themes of violence and community. rollerball was set in a future where society has become synonymous with the ultraviolent game of the title. i love this game! get ultraviolent game of the title. i love this game!— i love this game! get out of this dressing _ i love this game! get out of this dressing room! - i love this game! get out of this dressing room! that i i love this game! get out of. this dressing room! that same ear he this dressing room! that same year he also — this dressing room! that same year he also demonstrated - this dressing room! that same year he al

a strong story of a mafia sun, an innocent losing his soulfrom great actors including marlon brando ased his career. author when the cast, 91—year—old robert duvall who credits 1—man for making the godfather work. credits 1-man for making the godfather work.— godfather work. francis ford connola. _ godfather work. francis ford connola. in _ godfather work. francis ford connoia. in the _ godfather work. francis ford coppola, in the beginning . godfather work. francis ford i coppola, in the beginning they were trying to fire him during the first couple of weeks of work and i was aware of that, i've gained a lot of respect for him. his filmmaking and his casting that made it all work for me. i casting that made it all work for me. ., , ., �* for me. i thought you weren't auoin to for me. i thought you weren't going to become _ for me. i thought you weren't going to become a _ for me. i thought you weren't going to become a man - for me. i thought you weren't going to become a man like l for me. i thought you weren't i going to become a man like your father, _ going to become a man like yo

classics listen to this, they are in class with marlon, acting class, actors studio, the 50s with marlon brandomarilyn monroe, this unbelievable-- they are all unbelievable and they changed storytelling. they changed the way we made movies. that was their generation. and when he is talking about, when they started acting, there were world famous acting teachers, you know, you at sanford mmisner, famous people, now we're making all these movies and nobody who teaches that is famous. it is a culture of celebrity as opposed to a culture that really respects the art of it. >> that is what gore individualal was getting at. >> i'm curious what you think, as somebody who is, you are a movie star in your own right but well respected actor. >> but you know, we know from you a lot of your independent films, less as movie stars, more glitzy than that, not that you can't put it all if you want to, obviously you can be anything you want to. >> thank you, thank you. >> stephen: but what do you think, from watching this, maybe from doing this movie, do you have a different idea between a movie star and actor

that was like starting a movie with marlon brando and having just seen "the godfather" the night beforeiladelphia" was an important film. denzel washington represents the audience's apprehension with people with aids. >> how did they find out you have the aids? >> one of the partners noticed a lesion on my forehead. >> so as his character spends more time with tom hanks, you're starting to see him as more than his sexuality or his disease. >> let's get it out of the closet. because this case is not just about aids, is it? so let's talk about what this case is really all about. the general public's hatred, our loathing, our fear of homosexuals. >> he can bring the audience on that journey to say, we don't need to fear those people, we don't need to despise or stigmatize them. >> my name is forrest, forrest gump. >> forrest gump! >> it's a very rare thing for me to read a script and not be able to put it down. >> "forrest gump" is a marvelous look at how history happens. >> forrest gump, john lennon. >> it's a delightful play on the contingency and accident that shapes our world. >> we we

marlon brando was cast in — i massacred my boy. marlon brando was cast in a — i massacred my boy.ce ended up finding the film. i prevailed and his performance ended up finding the film.— up finding the film. i always said that my weakness _ up finding the film. i always said that my weakness was _ up finding the film. i always said that my weakness was my - up finding the film. i always said i that my weakness was my children, and i spoil them, as you can see. they talk and they should listen. he was 47 years old when shooting began, at a low point in his career. he did a screen test for the part. he did a screen test for the part. he put paper handkerchiefs in his mouth to create the voice he wanted. during filming he wore this dental plan by, now an exhibit in the museum of the moving image, to make him sound and looked different. i mean, coppola said for the part, him sound and looked different. i mean, coppola said forthe part, he mean, coppola said for the part, he wanted to get either brandon or olivia. olivia would not have been good for that part. brando, he took certain c

doesn't really - but then you start picturing -- paul newman was in acting class with james dean and marlon brandots in the class. forget, you know, geraldine page, and marilyn monroe, ben gazzara. i mean, the list is endless. so he was -- he was not the best student in that class. and his life's journey, which i find so inspiring, is that he got better and better and better and better whereas a lot of his peer group gets burned out, gets lost, gets confused, gets crushed by celebrity, whatever, the different stories. but he was definitely insecure he would change his shirt three times a day 'cause he sweats so much >> seth: there's a screen test, i guess, with him and james dean - >> yeah. >> seth: -- where he just looks -- >> he looks so nervous >> seth: he looks like a dork. >> the actor in you knows "oh, wow, you're nervous. he doesn't know how to move his face." kind of like me on this show right now. [ laughter ] and -- no, it is i find it so charming to see him there with james dean. >> seth: yeah. because you realize it's a journey for everybody. nobody's born like the public version of pa

around the corner from here is the actor's studio and paul newman joined woodward with james dean, marlon brandoique it's all by itself you have george clooney, laura linney and so many others. congratulations. >> i'm grateful to all my friends for helping, i'm so grateful thanks for having me on your show. >> you can check out all the episodes streaming this thursday on hbo max craig, over to you. >> looking forward to that. >>> from ethan hawke to the most decorated female skier in history, lindsey vonn is here, and we're going to talk about life after leaving competitions behind, and we're also going to talk about a very common health issue that she has faced that a lot of folks will be able to >>> we are back. it is 8:46, and we're back with the greatest female skier of all time, lindsey vonn, 82 world cup wins, 20 world cup titles, three olympic medals to her name, and lately she has been -- she's really been peeling back the curtain on her remarkable life and career so far, always good to have you. thanks for coming back >> thanks for having me. >> so you're here to start at least by talki

and he showed he could hold his own against the likes of marlon brando..and who fought back against his captor. remember how, for all those years, nobody knew who misery�*s real father was? it�*s all right here. dad! and for a whole new generation, he was the reluctant father in christmas favourite, elf. # come on, it�*s lovely weather... dad! hi! it's me! announcing his death on social media, the caan family said... actor gary sinise paid tribute, saying... while adam sandler said... from the murderous son of a mobster, to eventual loving father, james caan could do it all. now it�*s time for a look at the weather with owain wyn evans. hello, hello, everyone. well, we are expecting temperatures to rise significantly over the next couple of days. we�*ve been talking about it for a while now. we�*re seeing more in the way of sunshine. in fact, since first light this morning, we�*ve had some lovely weather watchers�* pictures that have been sent in to us. this is the situation. we have this area of high pressure. it�*s trying to build. well, like this, it�*

character's quick—tempered, reckless nature, and he showed he could hold his own against the likes of marlon brando investment? waita minute. almost. he also demonstrated his lightness of touch. you know, if you could sing half as good as you could yell, we'd have a hit. opposite barbra streisand in funny lady. all right, all right, all right. listen. we had a little a little technical trouble in the first act. that is all. a little technical trouble! the trouble we got in both acts is we've got an amateur producer... but at times, his party lifestyle threatened to overshadow his career. there was alcohol and drugs, and he spent months living at the playboy mansion of his friend, hugh hefner. it was confinement at a very different kind of venue that helped reestablish him as a star. in misery, he played a writer imprisoned by his number one fan... you. ..and who fought back against his captor. remember how, for all those years, nobody knew who misery�*s real father was. it's all right here. dad! and for a whole new generation, he was the reluctant father in christmas favourite, elf. # come on. # it