i got up to walk over to say, listen, it's marlon brando.did she get that accent? [ laughter ] so they talk. it's wonderful. she's talking to him. he's talking to her. about an hour later my brother comes in. i say, clyde, marlon brando is here. come say hello. my brother comes in. he and marlon do this. i'm watching them and i'm thinking, how does marlon know that? but marlon was a brother. straight up was a brother. he knew it. they had a conversation. then they handshaked themselves out of it. it was great. >> george: that's the best marlon brando story. >> i know. >> robin: great story teller. >> he was wonderful. >> lara: that's the book, right? such a good story teller. before we let you go we have to know about "sister act 3." it's been a long time since you did the first one. >> no kidding. no kidding. >> lara: people cannot get enough. sister act 3 i'm told is in the works. >> yes. we are anticipating a script this week. >> lara: what's your involvement? >> i'm in it. [ laughter ] >> lara: okay. just wanted to get that out there. we

y all i could say, hey, mom, come meet marlon brando, who came to visit us.atrick swayze wanted you in "ghost"? >> yeah. this particular part of the peninsula reminds me of him. >> molly, you're in danger. >> you can't just blurt it out like that. quit moving around. you are starting to make me dizzy. i tell her in my own way. molly, you in danger, girl. >> reporter: goldberg won an oscar for the supporting role as a psychic in "ghost." >> write it down. >> he wants you to write it down. >> i ain't no damn secretary. just do it. >> reporter: add to that two emmys -- >> whoopi goldberg. >> reporter: a grammy and a tony, making her one of just about 20 people with egot status. her book chronicles the start of her career and does not hold back, detailing problems with drugs, going on welfare, and learning marriage is not for her after three tries. are you still in love with the idea of being in love, or that's just gone? >> i think other people seem to sparkle when they're in love, and i like to see that. but for me, it's like i sparkle when i'm not in love. it'

crowd of their inspirations, artistic, historic, and political. marilyn monroe and bob dylan, marlon, brando, karl marx, the beatles are saying they are involved reinterpreting. what came before. even reinterpreting previous iterations of themselves as pop artists to make are that will, will become grist for the cultural mill of the future. that's post modern. pope fiction is post modern cinema from tip to tell, instead of one grand story details multiple narratives from different perspectives even from different movies, genres, the gangster film, the musical romance, the horror movies. it copies directly from the center of the past. the glowing briefcase seen echoes and almost identical image from fifty's. the wire gives me depth the street crossing double take you folks a similar shot from alfred hitchcock's classic psych you can just and the dotted square site gag come straight from old cartoons as much when we see christopher walk and playing a vietnam that talking to bunch about is that dad sacrifice scratch, it's on your daddy's wrist. never shut down. and why? we think less about the

crowd of their inspirations, artistic, historic, and political. marilyn monroe and bob dylan, marlon, brando, karl marx, the beatles are saying they are involved reinterpreting what came before. even reinterpreting, previous iterations of themselves as pop artists to make art that will itself become grist for the cultural middle of the future. that's post modern fiction is post modern cinema from tip to tell, instead of one grand story to tell multiple narratives from different perspectives, even from different movies on the gangster film, the musical romance before moving it copies directly from the center of the past. the going briefcase seen echoes and almost identical image from fifty's. the wire used to be definitely the street crossing double take you folks have similar shot from alfred hitchcock's classic psych fingers and the daunted square sight gag. come straight from old cartoons. let's watch what we see christopher walk in, playing a vietnam that talking to bush about is that that sacrifice to watch. it's on you daddy's wrist and it was shut down. anyway, we think last about the

last name anastasia, who was the new yk waterfront, thoughtf to be the inspiration behind the marlon brando film on the waterfront. later that decade, would you call frank costello an obstinate witness, unwilling witness, yeah. so this was a major problem for a lot of the investigations, for a lot of the public hearings, when members who had known criminal backgrounds decided that they would take the fifth amendment right to not incriminate themselves. and sometimes that was a great deal of the televise hearings as well. costello did show up with the and did say that he would testify initially. he didn't want to be shown by the television cameras, however, and so i think it was between his first day in front of those cameras, there was an agreement that the camera would only focus on his his body and his hands and in some ways, those hands became the most iconic element of this entire hearings as the camera watched him fidget and sweat. and he was playing with like little pieces of paper with his hands. and he seemed very fidgety and tense, even as his his comportment tried to not let that