mary katherine gallagher, obviously. tera rialto, the schwety balls. >> stephen: now you have always done characters? because i have a suspicion you have because we got yes, that s. >> stephen: how old are you. >> that was when i was probably nine or ten and that is one of my best friends that i grew up with. >> stephen: nine or ten going on 45 right here, there you are. this is you right here. >> yeah, we would always do characters growing up. and she was the girl who first told me that she could picture me in the movies. we saw this robert altman movie called nashville and karen black had a southern accent and she was singing and she said can i picture you being in the movies, we were like huck finn, and tom sawyer i go you could. >> i could pick picture you in a southern accent in the movies, we would have conversations like that. >> stephen: where did you grow up. >> cleveland, ohio. >> stephen: did you have a sense of how one would go be in a movie. >> no, not at all. but my dad was like my momma gypsy rose. he was like, you go in, when are you ou

for your record, mary gallagher. in some prior administrations, there was a general rule that if the commission wanted something done in between the regular budget cycle that wasn't already in the approved work programme, and it was going to take a threshhold of certain amount of dollars, then that item would come back to the commission for discussion. on its work programme. this is because the commission is charged in the charter with responsibility of the budget and a budget is meaningless, unless every dollar is tied to a work programme, goals and timelines. so, you asked for guidelines, design guidelines in the petrero and one other areas. have the staff bring a proposed work programme to the commission and said, well, you know instead of producing fine-tuned design guidelines for any specific neighbourhood, instead we're going to produce broadside of design statements for the entire city. we'll pull some of the properties out of the r.d.g.s, we'll introduce some conflicts like light rails between the r.d.g.s and