uh, mary ivan, from the international institute for counter terrace. thank you. the russia is intensifying. it's a tax on energy infrastructure across the ukraine. since late march miss on strikes of less, some of the countries major power plants and ruins and the energy administer him. and how the shank co is asking all these trains to prepare for more power cuts and the coming weeks. electricians and engineers are risking their lives to repass some of the worst technical destruction and dw is young. and they've shown, said this report from the eastern, from light city of hockey, a small village and ukraine's the net screeching the battlefield as only a stone's throw away. this is the workplace of the access left and his colleagues, the electricians. i called front of a power line, i hit along the front line. the men have long ago stopped being distracted by the sound of the tillery strikes during the repair work. yeah, and my family is against this job, but they don't like me coming here to him, but we have a very dedicated to work and something we have to do,

sculptor ivan misko from his childhood dachshund mary in the highest and highest space.wed up for a moment. the party of the national artist of belarus has a whole gray sculptural part of the world. first belarusian kasmanauts, russians, from mangolia, vietnam, cuba. amal is connected with the skin by synthetic adnosins. our first zhanchyna-kasmanauty. the architecture of the moon, the edges of mars and life on venus, all these cosmic fantasies are amal 100 years ago , belarusian writer, sculptor and astronomer, yazep drazdovich, described his works. yago's name is extremely associated with folkloric arts, malyavanka, and culture. belarus from different eras and styles. the temple at mosary - geta dastatkova laconic, navat prasyakny spirits of the italian renaissance, pas dobe, pa kanfiguratsii. let's look at their history and basic facts. the era that it lived in was a turning point. geta just right.

mary stewart, i will remind you, was executed in general at the end of this story. plays, more precisely, productions by ivanuryvskyi, they are defined, defined with such brightness, costumes, so unprecedented, and such an unusual, unusual form, in general, which just... in the photographs, it attracts the audience very much, people want to see this beauty, this unusualness, and, for sure, this is one of the secrets of success his performances at konoto. what a witch for his superhit, it seems to me that it is impossible to buy tickets, i have already lost all hope of seeing this play, the franka theater is trying to somehow solve this problem, because the problem is particularly related to overbuying, people who buy a lot of tickets, and then they sell them at a high price, they tried to sell them offline, that is, to open the sale simply at the box office on a certain day, a lot of people passed by, and it is not very convenient, my current director... that of the franko theater, yevhen neschuk promised that they would experiment with they, this is the franko theater and the ministry of digital transformat

stuart and about queen elizabeth, mary stuart, let me remind you, was executed in general at the end of this story, the play, or rather... the novices of ivan uryvskyi, they are defined, defined by such brightness, costumes, such unprecedented, such an unusual, unusual form, in general. which simply attracts the audience in photographs, people want to see this beauty, this unusualness, and it is certain that this is one of the secrets of the success of his performances, for the konotopsk witch, for his superhit, it seems to me that it is impossible to buy tickets, i have already lost every hope to see this play, in the franka theater they are trying to somehow solve this problem, because the problem is particularly related to with overbuying, people who buy... a lot of tickets, and then sell them at a high price, they tried to sell them offline, that is , just open a sale at the box office on a certain day, a lot of people passed by, and it is not very convenient, my current manager of the franka theater , evgeny neschuk promised that they will experiment with the action, they, quote frank and the ministry of digital transformation, will tr

point, he’ll just think, why is it really ivan the terrible thinks he’s kind of crazy, but with whom was she there? vrafnov night there is louis the ninth , and marieolutely normal, just historical characters of france, well, of course, they also seem to me, in fact, not quite... normal historical characters, but look, here is the next thing , and first of all, when we talk about france of the 15th century, we should not focus at all only on st. bartholomew’s night, it was a bloody massacre that lasted more than 70 years, it was a permanent civil war, where , accordingly, the huguenots, that is, protestants, radical... history teaches us and history nothing. they don’t teach us, they also live in our heads at the same time, if we say, for example, you know, history is an objective examination of documents, it is an objective assessment of lenin, and stalin, and ivan the terrible, and nicholas i, and so on, and there is no need to stigmatize, because history still teaches nothing to anyone, and another person will say, no, guys, look, we can objectively consider any - well, events, stories, but only an assessment. we need to give, because history te

ivan ivanovich, they are lame? indicators, we need to work better, comrades, nikolai petrovich, marie sergeevna has the most work toy is half an hour old... it’s over, maria sergeevna, why are you always talking about work and work, well, i was just passing by, i see , i look, a beautiful woman is walking, on foot, with a heavy bag, i think, let me look, korablev, i think, let me, wait, i think, let me , i’ll give you a ride, it’s a pity, eh, i took you for a ride, so what? what do you need from me? marya sergeevna, what a mercantile woman you have become, what do you need? and the luxury of human communication? for example, i just enjoy communicating with you, unlike you. i don’t believe you, but i’m telling you, remember, you forced me to do it. in general, it would be enough to excite the businessman. oh, this is not for me, this is for filonov. he is now our head of the investigation department. marya sergeevna, well, when are these formalities for michel. our communication. lenya, fillunov - this is such a formality that cannot be avoided, cannot be avoided. oh, just don't intimidate me. you are an independent

mari and russian. at the komissarzhevskaya theater, the premiere of roman gabriya staged a performance based on the play by ivanast century based on the novel by franz kavka. premiere production by sebastian baumgarton, musical director gabriel feltz. we have never encountered such a score before; it differs from the traditional one. here, instead of notes, there are drawings of clouds, there are graphics that look like needle-shaped fields. and the composer also wrote a kind of grid for the performers, each instrument has its own of sixteen cells, and the musicians have the opportunity to perform. and combine blocks in any order, leaving empty fields for improvisation. in addition to soloists, the performance involves three orchestras, four percussion groups and four choir. we invited a team and a choreographer who specialize in street dancing and breakdancing. we also use complex spatial sound effects in the auditorium. i think that in the centenary year of the death of franz kavka, we present the most insane, exciting and impressive stage embodiment of his plot. the exhibition "voice of the forest" is being