this was not where mary white morris or robert morris lived or any place in philadelphia. it is imaginary, but it is symbolic. it is what charles willson peale wants you to think about mary white morris. the reason why these are these busts, they are recognizable -- here is george washington, and these other figures are the busts of other political writers from england and america. what is that kind of thing doing in an 18th-century woman's portrait? what it is doing there is telling us that mary white morris has read all of these authors, understands the political theory of her era, and espouses it. we've got music and we've got intellect. and that is really what he is trying to say, behind this beautiful facade, there is a woman of substance. what we know about mary white morris's biography, she is a credible -- incredible what she achieved. she is a woman -- an aristocratic one, but a woman nonetheless, living in an area controlled by men. and yet, mary white morris becomes her husband's inherited business partner after her husband winds up in prison because he can't pay