well, why not understand here, marya nikolaevna?or vitalievich is one of my assistants. samoilova is somewhere in the lower left corner, this hero is somewhere hanging on top of her, obviously is felt. influence from rusevsky, well , rusevsky with colatosis was then plowed, of course, in the late fifties, early sixties, literally the entire generation, but yes, it was in the seventies that the realization came that this is the very set of tools that operators can use freely, directors can use freely when you are already accustomed to color and could use a black and white image for certain purposes, and as a contrast, when you actually came to a wide-format... image, when, by the way, they came out flying crane, american critics, when the film hit american screens, specifically pointed out that it was made in the classic format, not in the wide format that we were already accustomed to in america, but this is a more intimate one, well, 3x4, 3x4, yes, yes, or one and 1.33, yes, just in the seventies all this reached the soviet union,