here's yahya abdul-mateen ii in "candyman.top it >> okay. >> you better not. >> okay, okay, okay. candyman >> see - >> no, no, stop! [ cheers and applause >> jimmy: yahya abdul-mateen kar performs for us next stick around come back, buddy, please [ cheers and applause ♪ this unplugged device is protecting our beautiful coastlines and more. put off chores and use less energy from 4 to 9 pm to help keep our state golden. i'm morgan, and there's more to me than hiv. more love, more adventure, more community. but with my hiv treatment, there's not more medicines in my pill. i talked to my doctor and switched to fewer medicines with dovato. dovato is for some adults who are starting hiv-1 treatment or replacing their current hiv-1 regimen. with just 2 medicines in 1 pill, dovato is as effective as a 3-drug regimen... to help you reach and stay undetectable. research shows people who take hiv treatment as prescribed and get to and stay undetectable can no longer transmit hiv through sex. don't take dovato if you're allergic to its i

it's a comfortable life for visual artist anthony, played by yahya abdul—mateen ii, and his gallery directortner, brianna, played by teyonah parris. at least until anthony decides that the best way to get artistic inspiration is to invoke said candyman. let's just say his new exhibition hits the headlines for all the wrong reasons. say his name. candyman. ah! if you're looking for scares, then candyman has plenty of suspenseful scenes and a few very gory moments. but it's also darkly funny and thought—provoking. expertly directed by nia dacosta, this is co—produced and co—written byjordan peel, the man behind get out and us. like those films, candyman explores the monstrous aspects of real people, not just supernatural ones, and delivers a contemporary cynical spin on archetypes from the art world. while on the one hand this comedy reinforces stereotypes about powerful wealthy people, the casting subtly bucks tradition, very few of these characters are played by white men. the same cannot be said of the many police officers in this film. this has a lot to say about police brutality and race

it's a comfortable life for visual artist anthony, played by yahya abdul—mateen ii and his gallery director. at least until anthony decides that the best way to get artistic inspiration is to invoke said candyman. let's just say his new exhibition hits the headlines for all the wrong reasons. say his name. candyman. ah! if you are looking for scares, then candyman has plenty of suspenseful scenes and a few very gory moments. but it's also darkly funny and thought—provoking. expertly directed by nia dacosta, this is co—produced and co—written byjordan peel, the man behind get out and us. like those filsm, candyman explores the monstrous aspects

it's a comfortable life for visual artist anthony, played by yahya abdul—mateen ii, and his gallery directores for all the wrong reasons. say his name. candyman. ah! if you're looking for scares, then candyman has plenty of suspenseful scenes and a few very gory moments. but it's also darkly funny and thought—provoking. expertly directed by nia dacosta, this is co—produced and co—written byjordan peel, the man behind get out and us. like those films, candyman explores the monstrous aspects of real people, not just supernatural ones, and delivers a contemporary cynical spin on archetypes from the art world. while on the one hand this comedy reinforces stereotypes about powerful wealthy people, the casting subtly bucks tradition. very few of these characters are played by white men. the same cannot be said of the many police officers in this film. this has a lot to say about police brutality and race relations. candyman also has a very distinct visual identity, from its opening font, to its flashbacks told by shadow puppetry. honestly, this is such an interesting film, i could write a thesis o

yahya abdul-mateen ii, hope to see you in studio down the road. >> yes, sir. i hope so. the winds wrapping around henri. yes, we still have rain when some places have had more than 10 inches of rain. central long island will get into it next and then connecticut and massachusetts. the numbers will add up through the day. do we have more on the horizon? we do. 30% shot at these two areas becoming tropical. there's a >>> coming up on "gma," basstille joins us live. stay with us. >>> welcome back to "gma." we're back with the grammy nominated band bastille. we have a special performance in just a moment. first let's chat. band members dan smith, kyle simmons, gentlemen, welcome. >> hello.o. >> how you doing? >> we're great. i hear you guys just did a big show in front of a huge in england with rick astley... how was this? look at the crowd. >> it was incredible. we met rick a while back at a festival. we ended up giving him and his wife a lift back on our tour we kept in touch and then we thought wouldn't it be fun if we asked him to do this ridiculous thing. >> the show we

it's a comfortable life for visual artist anthony, played by yahya abdul—mateen ii and his gallery directorpin and archetypes from the art world. well, on the one hand this comedy reinforces stereotypes about powerful wealthy people, the casting subtly bucks tradition, very few of these characters are played by white men. the same cannot be said of the many police officers in this film. this has a lot to say about police brutality and race relations. candyman also has a very distinct visual identity, from its opening font, to its flash backs told by shadow puppetry. honestly, this is such an interesting film, i could write a thesis on it. i'm sure students will be doing so for years to come. candyman. no! candyman! ugh! 0h! don't say his name. don't follow me. it's in cinemas now, and if you want to see the original candyman, it's on netflix now. they sing. our story is older than these hills and glens. it was springtime, and we had one thing on our minds... ..boys. but it was more of an innocent time, the force of the media and mobile phones changed everything forever. it was 1996. as a fo