. >> i had max mcgee's first touchdown and a wide shot showing it as he stands in the background. >> reporter: the stands were not full for the first super bowl? >> no, no. >> reporter: since then, beaver has photographed every super >> here is joe namath coming off the field after super bowl iii. there is john madden getting carried off the field at super bowl xi. >> reporter: he got to the super bowl because his dad was a photographer for the green packers. that photo gave him a favorite photo. >> it's vince lombardi coming off the field after the first super bowl and my father is in the right in the background. i had two of my favorite people in the shot. >> reporter: he has owned press credentials. >> i look for impact. i want to see the athlete's face. >> reporter: for 30 years now, he has been with "sports illustrated." >> this player is celebrating with confetti, of course, made the picture. >> reporter: his photos reveal changes in both the game and photography. >> this was our first digital cover. this is the first year we didn't use film. now it's all auto focusing equipmen

. >> i had max mcgee's first wide shot, showing empty stand in the background. >> reporter: the stand were not full at the first super bowl? >> no. >> reporter: since then, biever photographed every super bowow >> gentlemen namath, super bowl three. and john madden, super bowl 11. biever got to the first super bowl his father was photographer for the green y packers. that game gave him the favorite photo. >> vince lombardi off the field. my father to the right in the background. had two heroes together in the same shot. >> reporter: by super bowl 4. biever earned press credentials. for 30 years now, he has been with "sports illustrated." >> this player, celebrating with confetti made the picture. >> reporter: his photos reveal changes in both the game and photography. cover. this is the first year we didn't use film. now, it is all auto focus equipment. that little talent of following focus of the action is gone. >> reporter: you liked it in the old days when, some mud went flyingng >> one of my favorite shots. >> super bowl 22. doug williams. >> real grass. real mud. the way the game

. >> i had max mcgee's first touchdown, kind of a wide shot showing-- showing empty stands in the background. >> reporter: the stands were not full-- >> the stands were not full. >> reporter: --at the first super bowl? >> no, no. >> reporter: since then, biever has photographed every super bowl. >> here's joe namath coming off the field after super bowl iii. this is john madden being carried off the field in super bowl xi. >> reporter: biever got to the first super bowl because his father was team photographer for the green bay packers. that game gave him a favorite photo. >> this is vince lombardi, coming off the field after the first super bowl. my father is to the right in the background. so, i had two of my heroes together, in the same shot. >> reporter: by super bowl iv, biever has earned press credentials. >> i've always looked for impact. i want to see the athlete's face. >> reporter: for 30 years now, he's been with "sports illustrated." >> this player, celebrating with the confetti, of course made the picture. >> reporter: his photos reveal changes in both the game and photography.

. >> i had max mcgee's first touchdown. wide shot, showing empty stand in the background. >> reporter: the stand were not full at the first super bowl? >> no. >> reporter: since then, biever photographed every super bowl. >> gentlemen namath, super bowl three. and john madden, super bowl 11. biever got to the first super bowl his father was photographer for the green bay packers. that game gave him the favorite photo. >> vince lombardi off the field. my father to the right in the background. same shot. >> reporter: by super bowl 4. biever earned press credentials. for 30 years now, he has been with "sports illustrated." >> this player, celebrating with confetti made the picture. >> reporter: his photos reveal changes in both the game and photography. >> this was our first digital cover. this is the first year we didn't use film. now, it is all auto focus equipment. that little talent of following focus of the action is gone. >> reporter: you liked it in the old days when, some mud went flying. >> one of my favorite shots. >

. >> i had max mcgee's first touchdown. wide shot, showing empty stand in the background. >> reporter: the stand were not full at the first super bowl? >> no. >> reporter: since then, biever photographed every super bowl. >> gentlemen namath, super bowl three. and john madden, super bowl 11. biever got to the first super bowl his father was photographer for the green bay packers. that game gave him the favorite photo. >> vince lombardi off the field. my father to the right in the background. same shot. >> reporter: by super bowl 4. biever earned press credentials. for 30 years now, he has been with "sports illustrated." >> this player, celebrating with confetti made the picture. >> reporter: his photos reveal changes in both the game and photography. >> this was our first digital cover. this is the first year we didn't use film. now, it is all auto focus equipment. that little talent of following focus of the action is gone. >> reporter: you liked it in the old days when, some mud went flying. >> one of my favorite shots. >

touchdown was captured by a photographer, just 15 years old, john biever.01:03:46 - (biever): i had max mcgee's first touchdown.*** it's kind of a wide shot showing empty stands in the background. 01:03;08 -(blackstone) the first super bowl? (biever): the stands were not full.**** 2--since then biever has photographed every super bowl. 01:41:05 - here's joe namath coming off the field after super bowl 3.***01:40:12 - (biever): here's john madden getting carried off the field. (blackstone) ah. (biever): super bowl 11.***3--biever got to the first super bowl because his father was team photographer for the green bay papaers. that first game gave him a favorite photo. (01:04:31) it's vince lombardi coming off the field after the first super bowl. my father's to the right in the background, so i had two of my heroes together in the same shot.******* 4--by super bowl 4 biever was working as a professional.(01:08:26) (biever): i've always looked for impact. (1:08:29***) i want to see the athlete's ce. 5-5-or 30 years now he has been with sports illustrated. (biever)01:29:33 - this player celebrating

. >> i had max mcgee's first touchdown, a wide shot showing empty stands in the background. >> reporter: the stands were not full at first super bowl? >> no, no. >> reporter: since then biever has photographed every super bowl. >> here's joe namath coming off the field after super bowl 3. this is john madden being carried off the field in super bowl 11. >> reporter: biever got to the first super bowl because his father was team photographer for the green bay packers. >> this is vince lombardi, coming off the field after the super bowl. my father is to the right in the background. in the same shot. >> reporter: by super bowl 4, biever has earned press credentials. >> i've always looked for impact. i want to see the athlete's face. >> reporter: for 30 years now he's been with "sports illustrated." >> the player celebrating with the confetti made the picture. >> reporter: his photos reveal both changes in the game and photography. >> this is our first digital cover. this is the first year we didn't use film. now it's all auto focus. the power to focus on the action is gone. >> reporter: yo