helps to more effectively resist external pressure, this opinion was shared by russian expert maxim chirkov according to him. today , the eu shows itself as a promising economic union, with a high level of cooperation between countries, it is possible to maintain a very high level of economic cooperation. and indeed, probably, that's the reason for the interaction between the countries included in the hiding. yes, the fact that, in principle, managed to avoid the kiev fall of the economy. everyone understands that these are the economic difficulties that arose in the twenty-second year. they are in general, the eu has every opportunity to say so. well, here are some negative points. they definitely show up. here they can be effectively stopped, yes or make them invisible and, as it seemed to me, in general. uh, weird members. yes, now it's coming, so to speak representation at the level of leaders of countries, they are , in general, rather inclined, unconditionally inclined towards the future. e unification of denser integration. all participating countries understand that strength. it is

uh, for example, maxim performed by boris chirkov, only they return with other directors.ng how the directors take, and their favorite character, which was invented by their other colleagues, and imagine him like that, and such a cameo, and they take it and it turns out, really the universe, but soviet movie heroes and cranes, who all meet in one kind of interesting , but dangerous world. there, of course, there are different plots, there are plots on the theme of some foreign life. yes, the czechoslovaks, poland, where it is already underway, and these fascist populations are fighting. here is how in this assembly block nine there are stories that take place at our front, but everything is largely, of course, on the one hand. we say goodbye to poster style, but the rice begins on the screen and is no longer here semitones. everybody is here. clearly transparent others are built, there are our good enemies and there are bad ones. there are no more gray areas for me. well, at least in the first years in the forty-first forty-second, then it is perceived a little differently

uh, for example, maxim performed by boris chirkov, only they return with other directors.esting how the directors take, and their favorite character , which was embodied by their other colleagues and themselves , and they take such a cameo and it really turns out the universe, and soviet movie heroes and cranes, who all meet in one of some kind of interesting, but dangerous world. there, of course, there are different plots, there are plots on the theme of some foreign life. yes, the czechoslovaks of poland are also going where, and these struggles are the fascist underbelly. here's how in this assembly nine there are plots from which we have at the front, but everything is in one, of course, on the one hand we say goodbye to the poster style, and the picture begins on the screen and there are no more halftones here. everybody is here. it is clearly transparent in this that others are built, there are our good enemies and there are bad ones. there are no more gray areas for you. well, this is, at least, in the first years in forty-one-forty -two, then it starts to be perce

uh, for example, maxim performed boris chirkov, only they return with other directors.t's so interesting how the directors take, and their favorite character , which was embodied by their other colleagues and themselves like this, and such a cameo, but they take it and it really turns out the universe, and soviet movie heroes who all meet in one of some interesting such. but in a dangerous world there, of course, there are different plots, there are plots on the theme of some kind of foreign life. yes, czechoslovakia, poland , where it is also going on, and these fascist populations are fighting. here's how to take it apart. us there are nine scenes from which we have at the front, but in many respects, of course, on the one hand, we say goodbye to the poster style, and the rice begins on the screen and there are no longer halftones. here everything is quite clearly transparent in that others are built - our good enemies are bad. there are no more gray areas behind you. well, at least in the first years in the forty-first forty-first, then it begins to be perceived a li