the mayakovsky theater was looking forward to her.eorgievna would try to say what she categorically did not want, but they would try to say to become e, in those years it was called the chief director of the theater or later artistic director theater gundrev, and in fact was an informal leader in the theater, georgievna was insanely demanding of her profession, and she always said that, uh, if i give all my best at 100%, why can someone else fix it? maybe it's wrong to set the light, maybe turn on the soundtrack incorrectly. and, of course, a couple of times even during the performance, when she went backstage or during the intermission, there were such tough showdowns, uh with this person, who is to blame for something? i don’t know if the gundrev could become the artistic director of the theater, but i’m sure she could play many more outstanding roles. by that time, she was already living with the thought of returning to the stage, discussing a new production, when some such cataclysms happen in my life. i think about what, but i ca

yes, the mayakovsky theater suddenly calls you from a movie. and the soviet union is no more.get paid, grandfather passed. thank you vityush, thank you dear helped out, yes. well, thank god they came here. and in front of me, like this, like this, a pack of packs, damn it, like this. i say, this is what, this is the percentage of your rolled not came did not receive. he says the rental will still be six months, by chance a bag. i received for the rental of this picture, but ten times more than for the picture itself. corpses will now be in this film, the directors saw in madyanov the charisma of a scoundrel, but here it gets out and began to actively shoot it in a similar position. didn't answer, still a joke. it is ingeniously able to turn on or switch these states, like this, uh, or what? uh, kind, absolutely charming, the uncle is so simple and suddenly become very tough. why are you being smart, or what? mandarin won't won't. yep, the whole doc. i look at him when he is silent on the playground from the old school. he sits, he does not waste his strength in vain. there are

and then at least watch a movie, if your opponent told her, you won the actress of the mayakovsky theater a graduate of higher courses, screenwriters and directors polina presented her debut work with a seagull the story of a young a singer who fell in love with a famous writer , a cynic and womanizer, he was played by yuri bykov , of course, the film, it seems, as a suffering about love, but i tried to tell this story. if possible, with humor from irony itself with irony. and i think it succeeded. she is very funny. here is alexander likhacheva, a pupil in the workshop alexey of the teacher brought to kaliningrad a sports fight about oleg kretsul, the european champion in judo, who became disabled after a car accident, but managed to return to the tatami, the film is called the chair, an invitation came to correct. blind man tell him i'm ready how i'm going to train him. i don’t even know how to drive it, how i will train you. yes, i had to do judo absolutely from scratch , all the fights that are in this film. i perform myself. without an understudy, i also had to gain muscle mass in th

your opponent did not say, i remember what you say, give it and you won the actress of the mayakovsky theater a graduate of the higher courses of scriptwriters and directors polina lazareva presented her debut work with a seagull , the story of a young singer who fell in love with a famous cynic writer and his womanizer played by yuri bykov, of course, the film, it seems, as a suffering about love, but i tried to tell this story. if possible, with humor from irony itself with irony. and i think it was very funny. here, alexandra likhacheva, a pupil in the workshop alexei, the teacher brought to kaliningrad the european sports champion in judo, who became disabled after a car accident, but who managed to return to the tatami, the movie is called armchairs and received an invitation to the olympic games. there, the program has everything you need blind accents blind, tell him that i'm ready as i will train him. i don't even know how to drive it. i will train you. yes, i had to do judo from scratch all the fights in this movie. i perform myself. and without an understudy, i also had to gain musc

the autumn marathon, the hostess of the orphanage, but there were still bright images in the mayakovsky theaterwhich natalia gundareva was faithful all her life. she left so early, but in our hearts the hearts of millions of people remained forever. hello, today we have such a bright such a solemn day. who won't say a word to you. i don't like this hat. and you like it. what a question without hands. i want people to think that i am confident in myself as my strong man. the legs find in me here in my optimism some kind of support for myself purely. well, i’m cheerful, we don’t take a cat with a cat on board with us and burst into our lives as a freckled miracle and a sweet woman, as if the studios of all those whom she played stopped relatives, who descended from the picture, and we are still worried to tears for him. you will be the best chicken with him. when i saw her, i was worried, blushed, stuttered, although in life. she didn’t show some kind of sue-sue-sue there, mom is there or something is not there, and in the frame she’s an apple there an apple you want mom behind the scenes, she wa

we go to the mayakovsky theater, naturally makes places, because he is a playwright.all, and then in intermission. he says, let's go and introduces me into the office of okhlopkov himself. it's like i'm standing there. i think now i’ll sit somewhere nearby from fear and excitement, because, of course, this is a very interesting person, since this is a legendary director and actor 2, and i was very flattered and pleased that he introduced me to such an outstanding person. and now, quietly , quietly, i suddenly began to lead. in the house of the great watermelons is now the great playwright of watermelons. yes, of course, he called the watermelon. they all called out, watermelon. then i brought a completely fantastic house. eh, alexander petrovich stein and lucy stein, this is the best house in moscow was generally considered, then she was going to listen to a new play, radzinsky brought let's say a new one the play was revered played by the people. yes, misha takes me with him, and there is no more no less cheese. there sits a wonderful ballerina. not clean. it's all s

in the country , the moscow theater of satire, the golden anniversary of its 50 years, the theater on mayakovskyained an amazing enviable youth talent skill today on the stage of the academic theater of satire, perhaps the most sincere production of the play vera , staged on the basis of the memoirs of vera kuzmichnaya, he approached me, said the girls. how old are you? i say 17. he says you're not lying. no, not only, and you graduated from the 10th grade, i say no, well, you give! honestly. what are you looking for? i speak. yes, of course, i did not forget about this people vasilyeva's story from the stage - this is a letter. to whom you can entrust your most intimate thoughts. here her whole life in the first person without false edits and cuts to you not lonely. well, first of all, i have to say that i live very well in my theater. i love all the people with whom i am connected. i'm not treated very well, so i have a place where i'm happy, and i play such roles, about which i dreamed and although this is late, but still this is what i dreamed of in my roles. everything is there, love is dre

venues, including at the polevsk drama theater, when we traveled with career guidance, a graduate of our university this year also staged a performance based on mayakovskyice. they didn't play frets, korotkevich, they also played fourth-year graduates, and here - this performance was prepared, but considering, m-m quality hmm, the guys who study, they have now switched to the third year and konstantin viktorovich within the framework. e work on craftsmanship prepared the actor. uh, hmm this job. we now have the educational theatre. i mean, it 's always been there, but we've updated the stage clothes and lighting equipment. therefore, i sincerely invite you. this is not a one-time action , it is assumed that those performances that took place. hu advice. ah, the university. they will show theirs regularly, so we are all welcome. this is a training auditorium, but it is called the training theater, so, uh, admission there is free, a very significant project , it turned out to be a memory line, the code of war. this is a project which was implemented by the grant of the presidents of culture as well. more than 70 people were involved, not only our students

mayakovsky. but most importantly, he was struck by the voice of the proletarian poet. it was then that young levitan realized what treasures he possessed. lives in the same house with the levitans, either a theaterctor, or even theatrical hairdresser versions here differ, but one way or another thanks to a neighbor. yura gets to the play and determines his future fate, decides to become an artist, since the voice and in the drama club are praised with a friend in 1931. he goes to enter moscow shortly before this, levitan's father and mother are disenfranchised by the wording, typical for that time, the use of hired labor before the revolution and it is clear that the son of such unreliable parents in vladimir is not enough that shines. new york and his friend, of course, are not accepted, but vladimir does not want to return to his native place, he has to look for at least some kind of work in search of which friends have been walking around moscow for a lifetime levitan gave a few interviews , most of them are more about the era, they are about him and only in this rare record that came to us from archives of the czech radio , you can hear the real levitan at the competition of announcers, how

including along the lines of the drama theater, when we went with career guidance, a graduate of our university this year also staged a performance based on mayakovskyy the frets, kratkevich , the fourth-year graduates also played, and here this performance was prepared, but considering, mmm , the quality of hmm, the guys who study, they have now switched to the third year and konstantin viktorovich framework. e work on the skill of the actor prepared. uh, hmm this job. we now have the educational theatre. i mean, it 's always been there, but we've upgraded there uh and the lighting equipment on the stage, so uh. i sincerely invite you. this is not a one-time action , it is assumed that those performances that took place. hu council e, university. they will show theirs regularly, so we are all welcome. it's a classroom, but it's called the educational theatre, so uh, admission is free, it's a very significant project. got a line of memory code of war. this is a project that was implemented by the grant of the presidents of culture as well. there, in 10 minutes, more than 70 people, not only our students of choreography, but also members of children'

i was there, well, as a child at the theater and all my toys were there, when even dad had an office on mayakovskymes here are these cockades with i mean caps with uh cockades. there was some paraphernalia there, and this one. i remember exactly, i just now took up most of my time. i studied it, tried to fit in , put on took off. in general, the steering wheel of the head of the german foreign intelligence of the furet ss brigade, walter schelliberg, did something like that . he also made him amazingly charming. but he played a fascist. it is known that closed showing moments. the head of the kgb yuri andropov approached tabakov and quietly. he said that the ss brigade furet played so well immorally, meaning the unconditional sympathy that his hero aroused among the audience. that's right, you understand. but schelenberg's relatives, on the contrary, wrote a letter of thanks to the actor about the fact that thank you for being as kind as the good uncles of the jacks. how is the coat in the wardrobe after a hard drinking at easter how is the coat in the wardrobe? poems have long ceased to be writte