and maykovsky for life. maikovsky is my admission to the theater institute.or, rector of the studio school and the immortal, adored, pope vienna, as everyone called him. yes, yes, from tabakov to batalov, he entered the school, the studio, he entered boris evgenievich zakhary, the rector, vakhtangov’s favorite. finished and preferred the vakhtangov theater to performances, we continue and i remind you that our guest today is theater and film actor and writer veniamin borisovich smekhov. it seems to me that you have come to literature with new and new books, not only memoirs, but also books of different genres. yeah that's what it's for you, and what seems most important to you, memories or your original works, now i will combine two names, fomenko and lyubimov, fomenko and lyubimov, the theater, that is, the workshop of pyotr fomenko and the beloved taganka of yuri petrovich, differ from all other theaters in many ways, but most of all, of course, devotion to the word, for the beloved, the stage was a very important genre and poetry to the stage was very impo

and came up with the book bug, illustrations for all scenes of maykovsky, mayakovsky’s cap, and hisom astrakhan theater, who wanted to arrange a grand presentation of her husband’s book, but to make sure... the russian word was heard, that ’s it, they found my glasha, galina gennadievna, she said, well, of course, we can come, and venya will read maykovsky, you can wake him up, he’s always can read maikovsky, but, but he’d better come up with a play, and i came up with a play for three, here you go, masha matveeva, dima vysotsky and me, in rome, after the presentation of a wonderful book. klop, we are playing for the first time the play flute spine, aksyonova actually the director of the play, she is absolutely merciless in theaters, she is the theater director, with, well, how can i say it, at the start, this is zero directing, and the theaters are already in full swing, definitely a director, will be your opinion today, this is a formula that i attach very great importance to, well, this is known, well, here the performance is going on, sitting in the hall are russian emigrants, s

attention from an important scene, what was this extra’s name, you’re a tough guy, and mayakovsky, maykovskysample city, the extra’s name was isai dvorishchin, no, a neighbor, please listen. no, he invited his neighbor to have a bite to eat. rasseiny kazantsev, city of tosno, school number 4, the extra's name was nikolai sobinov, no, especially since sobinov is not nikolai, well, maybe there was, of course , some nikolai sobinov, yours is very interesting, because his name was really nikolai, but not owlet. so, what's the name? daria varzina, lyceum number 17, city of kostroma, this was the man who would later play ivan the terrible, nikolai bozhenov. no, nikita pshinov, vladimir region, melniki city, school number one, this is nikolai cherkasov, this is nikolai cherkasov, of course, we give the order, of course, the order is urgent, the concert was missed, november 1, 1941 in new york. rachmanindal concert in carnegel, the collection was about 400 dollars, this is not much now, but then there was a lot of money, but the question is: where was the money sent, and how did rachmanin ordered th

well, some amazing family of a grandiose artist who was in love, an italian, who was in love with maykovsky well, of course, we can come, and venya will read maikovsky, he can wake up, he can always read. but he’d better come up with a performance, and i came up with it a performance for three, here you go, masha matveeva, dima vysotsky and me, in rome. after the presentation of the wonderful book bug, we play for the first time the glass play flute spine, aksionova is actually the director of the play, she is a merciless theater director, it’s the theaters with, well, how can i say it, at the start, this is zero directing, and the theaters are already in full swing. necessarily a director, this will be your opinion, today’s, this is a formula that i attach great importance to, well, this is known, well, here the performance is going on, they are sitting in the hall, russian emigrants, soviets, well then yes, already russian, yes, russian journalists, guests, a lot of russian-hearing people. russian-speaking lovers of the italian mayakovsky, the credits are in italian and so on, you were, y

definitely suggested this to my teacher, andrei sanovich goncharo, he is on me only the theater, the maykovskyhen i started pestering fomenko, i didn’t know how to get rid of me, i think he got his way there i don’t know, he’s seventy years old, he finally said, i won’t learn the whole text, but you wanted his character, of course, because he, well, he, damn it, i don’t know who is better than the ganchers or fomenko, but since we have, thank you lord, the design was brilliant... barovsky jr., they managed to set such a form, correct, that then it somehow rolled off, and since our people are all talented, now this is without any humor, i say, they were very prepared, there were people of different generations, then we somehow succeeded, i must say that when there was pandemic, there in turn, two people were sick, two dukes, and i... twice , partly from memory, partly, that means, with the text in my hands i replaced them, how good it felt for me in this design by alexander borovsky, and here also, the theater, it seems to me, is very cozy and you can hear it from any place, and i never wanted

to my teacher andrei sanovich goncharo, the only one before me is the maikovsky theater, yes, the maykovskyg he was very similar to king lear, he laughed at me and did not talk to me, then i began to pester fomenko, because i didn’t know , how to get rid of me, i think he waited until his seventieth birthday, i don’t know, and finally he said, i won’t learn the whole text, but you wanted him for the role, of course. oh my god, i came up with the design. a brilliant artist, in my opinion, alexandrovich borovsky, barovsky jr., then they managed to set such a form, the correct one, that then it somehow rolled off, and since our people are all talented, now this is without any humor, i say, very prepared, there were people of different generations, then we have like - it happened, i must say that when there was a pandemic, there were two people in turn, two dukes, and i... twice , partly from memory, partly, that is, with the text in my hands, i replaced them, as i it was good, in this design by alexander borovsky, and we also have a theater, as for me it seems very cozy and you can hear it fro