so in 1940, when hattie mcdaniel won for gone with the wind, it was a second world war.as the backdrop to that, and the sympathy engendered for african americans as a result of what was happening with hitler in europe in 1964, when sidney poitier won, it was a civil rights movement that was growing in the background. in um, in 1983, when lou gossett jr. won, it was the end of the vietnam war and america's love for war films, et cetera.. 2016, it was oscarssowhite. so these things that have happened outside have influenced the minds of the voters and therefore influence the films that won, which is the thesis i talk about. >> you know, one of the great misfortunes of that thesis, though, is that i'm sure it puts the actors in the context as if they weren't extraordinary in their own rights, and that it was somehow not earned. but we know that that's not the case. right? these were extraordinary actors, and their work speaks for itself. >> indeed. and the question is, is, is not about their quality. the question is, how do you get the people who vote to pay attention to qu