from their colonial context and made accessible to everyone artists nor are badri and john nikolai mehlis published this 3 d. scan of national t.v. online without the museum's permission. as long as you control not just the physical artifact but also the digital one you you kind of control the narrative around it because then you can decide which research for example you give it to with the data in the public domain berlin state museums lost their monopoly over this cultural treasure at least digital right now anyone with a tree d. printer can make their own efforts one replica now lies buried in the egyptian desert as a kind of symbolic restitution. that actually matter when all of your material material objects of the culture are in another country and completely decontextualized and actually got there violently namely through colonialism so it totally doesn't matter where the object is who gets to tell the story the imperial museum is also a seat the princess of the transmission of the museum has. now we get himself and he to tell the story publishing the data set on a public domain wi

from their colonial context and made accessible to everyone artists nor al badri and john nikolai mehlis published this 3 d. scan of national t.v. online without the museum's permission. as long as not just the physical artifacts but also the. kind of narrative around it because then you can decide. for example. with the data in the public domain berlin state museums lost their monopoly over this cultural treasure at least digitally now anyone with a 3 d. printer can make their own net for t.v. one replica now was buried in the egyptian desert as a kind of symbolic restitution. that actually matter when all. material objects are in another country and completely decontextualized and actually. violently. so it doesn't matter where the object is who gets to tell the story the museum is also the producer of the transmission of the museum has. publishing the data set on a public domain with an effort. with other projects very important that now reality because everyone can actually. talk about it discuss it. with the script data 3 d. technology and artificial intelligence badri begin to reco

from their colonial context and made accessible to everyone artists nor all badri and john nikolai mehlis published this 3 d. scan of national t.v. online without the museum's permission. as long as the control not just the physical artifact but also the digital one you kind of control the narrative around it because then you can decide which research so for example you give it to with the data in the public domain berlin state museums lost their monopoly over this cultural treasure at least digitally now anyone with a 3 d. printer can make their own net for t.v. one replica now lies buried in the egyptian desert as a kind of symbolic restitution. that actually matter when all of. material objects are in another country and completely decontextualized and actually got there violently namely through a colonialist and so it doesn't matter where the object is who gets to tell the story the imperial museum of these officers eat the party says of the transmission of the museum has to go now we gained 70 to tell the story publishing that they just sat on the public domain with an effort. withou

from their colonial context and made accessible to everyone artists nor all badri and john nikolai mehlis published this 3 d. scan of national t.v. online without the museum's permission. as long as you control not just the physical artifact but also the digital one you kind of control the narrative around it because then you can decide which research for example you give it to with the data in the public domain berlin state museums lost their monopoly over this cultural treasure at least digitally now anyone with a 3 d. printer can make their own net for t.v. one replica now lies buried in the egyptian desert as a kind of symbolic restitution. that actually matter when all of your material material objects of the culture are in another country and completely decontextualized and actually got there violently namely through colonialism so it totally doesn't matter where the object is who gets to tell the story the imperial museum of these officers eat the prices of the transmission of the museum has to go now we gained 70 to tell a story publishing the data set on a public domain with an e

from their colonial context and made accessible to everyone artists nor al badri and yon nicholai mehlis published this 3 d. scan of national t.v. online without the museum's permission. as long as not just the physical artifact but also the. kind of narrative around it because then you can decide which research for example you give it to with the data in the public domain berlin state museums lost their monopoly over this cultural treasure at least digitally now anyone with a 3 d. printer can make their own efforts one replica now lies buried in the egyptian desert as a kind of symbolic restitution. that actually matter when all. material objects are in another country and completely. and actually. violently. so it doesn't matter where the object is who gets to tell the story the museum is also the point of the transmission of the museum has. story publishing the data set on a public domain with an effort. without the project very important that now reality has changed because everyone can actually. talk about it discuss it. with the help scraped data 3 d. technology and artificial inte

in 2015 al badri and fellow artist young nikolai mehlis took the debate to a different dimension they published a 3 d. scam online without permission a challenge to the museum's authority as long as you control not just the physical artifact but also the digital one you kind of control the narrative around it because then you can decide which research gave it to. their publication of the data means the museum is no longer enough for t.v.'s digital gate keeper now anyone with a 3 d. printer can have their own match for t.v. bust the artists took one back to egypt where they buried her in the sand a kind of symbolic restitution. also uses artificial intelligence to. create new objects she calls techno heritage like these fictitious mesopotamian artifacts to create them she needed pictures of 10000 real objects but european museums weren't ready to give her the data. they don't want to change that hope exists so i found another way. that other way was through back doors into museums digital databases although she won't say which museums the high technology she says covers her tracks none

welcome only can mehlis take the news from behind you'll be happy to hear that america's most expensive military mistake the f. 35 fighter jet is still of too big to fail they've been building it for decades at a cost of over a trillion $1.00 and oh wait. i'm sorry those those are my notes on joe biden's face but they have 35 is now much different as was written this week in the edgy communist zene bloomberg news well the pentagon's official line is that after years of difficulties the f. $35.00 is meeting high expectations skeptics both outside and within the military say it's turning out to be a 2 decades in the making trillion dollar mistake oh it's so only a trillion dollar mistake our government makes trillion dollars mistakes all the time i don't trust made to this morning before he even got his car tarp size 2 pants on and a trillion isn't even that much money not nowadays i mean i mean if you make if you make $40000.00 a year to make a trillion dollars it would only take you 25000000 years. that's the same amount of time as it felt like i worked at t.g.i. friday's it was actuall

from their colonial context and made accessible to everyone artists nor al badri and yon nikolai mehlis published.