reporter: check out the walls of the breakfast room. >> the mural was put in by the owner before mel gibsonwho was a close friend of picasso and was very much entrenched in the art community. >> the 15-bedroom residence also has a movie theater, where gibson screened his own films. out back, there are four formal gardens, an english maze and a swimming pool. and if that's not enough -- >> this is the private island on the private lake how many properties have their own island >> reporter: but richard is prepared to take a loss on the property he paid $24 million for it he's listing it for just under $20 million. >> and he's still not selling. that's because sales in greenwich falling to their lowest levels in eight years there's now that two-year supply of homes in greenwich. you can get a full tour of this house, lots of other megahomes, including the home that p. diddy is vacationing in right now in aspen, colorado, in all-new "secret lives of the super rich" tomorrow night rear on cnbc. >>> coming up on the tasting men yew, lulu lemon goes all in on experience starbucks' wild new drink a

. >> with regard to mel gibson's movie the pager, disregarding the story you know the history of fiction such as the atmosphere of the civil war, do you think that's a good portrayal a good understanding what it was like? >> yeah. i thought it was a terrible movie. i was told the producer of that movie, gave gibson a copy of my first book. i don't think anybody read it. yes sir. >> could you comment on bannister carlton? >> yes. charleston and think anybody mentioned it in this book, he was prominent in the first book. when he was an hot pursuit of an anime he was at his best. early in the war, after the fall of charleston, to very good effect. really that was his only set piece of metal. i think so. that was his only set piece battle and he absolutely feel. he took a tired, hungry force into major combat and i not long march and was defeated by a monster. he was not a very nice man at all. and he also approved that after the war. in england when he the trade betrayed the man who had made him lord cornwallis and his men were. and in that book he could've gone to india with cornwallis and

you think of kevin costner, jodie foster, mel gibson, and you think of clint eastwood who finally getsn the '90s. >>" undriven is a miraculous case. it landed on this moment of frailty. >> you kill folks? >> my agent called me and said clint eastwood has made an offer. clint eastwood eastwood? yes. you'll be his partner in this western. well, shucks. tell him i'll think about it. i remember there was three men you shot, will, not too. >> i ain't like that no more, ned. i ain't no killing fool. >> clint eastwood and morgan freeman who have been professional killers and are sick of violence, they don't want to do it anymore, but they get dragged back into it. >> i've killed women and children. killed just about everything that walks and crawled at one tomb time or another. and i'm here to kill you little bill. >> clint is maybe the best director i've ever worked with. i love the way he does it. he's quick. he's decisive. beautiful. >> there are directors in this period like michael mann who are the rebels within the staud yo system, the guys who are just doing it differently. >> what am

necessarily the british but this is where you get mel gibson in the patriot. fighting and his guerrilla styles. it makes it very difficult to know who is who. it also leads to-degrees of atrocity in cases where you have brutal reprisals of loyalist and patriots. in one case, you have one commander who is in this and news reaches nathanael greene of potential violations. and he is denouncing this is notly, saying this the work we are fighting, we are fighting a war with principles. a war that shows we are behaving better. we have the british do not. the proper treatment of prisoners and civilians. known, thisbe individual is a british officer. you may know him, he's also in harry potter. not alan rickman. jason isaias. he also gets a start, just to show how white read this is, as a young teenager, he would go on to become president. he that ousted by the british for the rest of his life. >> andrew jackson? >> andrew jackson. you have all sorts fighting and engaged in combat. meanwhile, to the north, whispers. philadelphia, arnold is ready to return to command.

you think of kevin costner, you think of jodi foster, you think of mel gibson.ood's case of all the spaghetti westerns and the westerns and the dirty harry films is landed on this moment of frailty. >> did pa used to kill folks? >> my agent called and said clintetwood has made an offer. >> clint eastwood has what? >> yes. you'll be his partner in this western. well, shucks. tell him i'll think about it. >> i remember that was three men you shot, will, not two. >> i ain't like that no more, ed. i ain't no crazy killing fool. >> clint eastwood and morgan freeman who have been professional killers in, they're sick of violence, they don't want to do it anymore but they get dragged back into it. >> i killed one of the children. killed just about everything that walks or crawled or at one time or another. and i'm here to kill you, little bill. for what you did to ned. >> clint is maybe the best director i've ever worked with. i love the way he does it. he's quick. he's decisive. just beautiful. >> there are directors in this period like michael mann who are the rebels

you think of mel gibson, and you think of clint eastwood who finally gets his due in the '90s. >> "unforgivingthis moment of frailty. >> my agent called clint eastwood and made an offer. clint eastwood eastwood? yes. you'll be his partner in this western. well, shucks, tell him i'll think about it. >> i remember it was three men you shot, will, not two. >> i ain't no crazy killing full. >> clint eastwood and morgan freeman who have been professional killers and are sick of violence and don't want to do it anymore, but they get dragged back into it. >> i killed one of my children. killed just about everything that walks or crawled at one time or another, but i'm here to kill you, bill. >> clint is maybe the best director i've ever worked with. i love the way he does it. he's quick, he's decisive. just beautiful. >> there were directors in this period like michael mann who are the rebels, the guys just doing it differently. >> i don't understand. >> because there was a dead man on the other end of this -- >> he provides us an opportunity to finally see robert de niro and al pacino on-screen toge