actually, with this greeting prishvin came to the house of gipios merishkovsky, he they said: come inme in, what they said about us, tell us, and then prishvin was invited to make a report at a meeting of the society and... prishvin made this report brilliantly, and since he was a very artistic person, despite his statue-like appearance, he called himself, then at some point he dropped to his knees and crawled across the stage, then went down into the auditorium, crawled between the rows, shouting, they are crawling, everyone is crawling, the audience was in ecstasy, and prishin, in a sense, crawled into great russian literature. prishvin came up with an ideal writing strategy , which was at the same time oriented towards the contemporary reader, towards the reader of the future, and there and there he succeeded; in this sense, prishvin’s biography is truly such a wonderful, wonderful, full-blooded biography, although it had its own difficulties and one of these difficulties, one of these, so to speak, one of the cracks happened: as it seems to me, in 1933, when prishvin was already s

famous future literature of the russian abroad, and that’s what bunin will be, aldanov, there is merishkovskydanov, it all started with the story of alexei tolstoy, nikita’s childhood, an absolutely wonderful story, which, by the way, describes his very peasant childhood on the zavolzhsky farm in sosnovka, why he wrote this story, because one day his little... son nikita, and father, future father, writer tatyana nikitishna tolstoy, yes, this is also such a powerful tolstoy root in the history of russian literature, which continues. so, and nikita didn’t know what a snowdrift was, like this snowdrift, he wrote a story about childhood, about winter, about snowdrifts, about stars, about happiness, about an estate, about the people who live there, just a cool story so that the russians children who are temporarily in exile y... i never considered myself an emigrant, i always believed that this would all end quickly, they would return to their homeland, so that the children, having arrived at their homeland, would recognize it, so that they would not lose their russianness, would not lose this se

teacher helped me a lot, and my literature teacher, irina viktorovna shcherbina, who gave me merishkovsky’sleon and his contemporaries, that's where i got the same ones 10 orders in theorists, which, in addition to the previous three, allowed me to get into the semifinals, and it was nice, because in the semifinals you also lost on the track, right? to my shame, i lost there, why do you just feel uncomfortable there? in fact, i was not very lucky with the questions as a player, because there were heroes, characters about whom i had read little, but the further we played, the broader the topics were, and accordingly our semi-final was already outstanding western european writers of the 19th century, and the final , partly, played role in my destiny is the outstanding... politicians of the 20th century, in fact, after reading a mountain of literature on politicians of the 20th century, i went to moscow state medical university specifically to the faculty of political science, although i could have chosen any other faculty. the institute taught languages, gave a broad humanitarian education, a

of the vakhtangov theater pavel i, natalia's performance kovaleva based on the play by dmitry merishkovskyks of young artists and sculptors, united by the themes of family and human values, the history of the country and the everyday life of our contemporaries. opera by pyotr ilyevich tchaikovsky's performances based on gogal's story the night before christmas are given in yekaterinburg at the ural opera and ballet theater, musical director of the production is konstantin chudovsky. at the tavstan drama theater they are playing the play crimes punishment based on rman fyodor mikhailovich dostoevsky, the author of the dramatization and stage director mato imiu. gennady blinov plays the role of raskolnikov, tatyana bedova plays the role of alena ivanovna. on the small stage of the tyuz named after brentsev nos. the play based on the story by nikolai vasilyevich gogol was staged by timur kulov. the museum of the st. petersburg academy of arts continues the exhibition of the return of nikolai feshin and stepan erzin, designed to highlight the similarity of artistic searches and human destinies