(meta wilde) we said, "we would like to join the iatse." and there was dead silence.nd in about 10 seconds, one of the producers said, "now girls, girls, you don't need to join the iatse, you're going to get everything that everybody else gets." and i thought to myself, this is really not true. (meta wilde) the women had no standing, except for the studio stars. and it is still a man's world. and still the old "buddy game." there is a glass ceiling, i know they do not want women in vitally important positions. even though they kept saying, "why do we have to strike? we could all work it out." but you never could. they never wanted to give up anything. their autonomy was important to them. all writers are children. fifty percent are drunks. and up 'til very recently, hollywood writers were gag men. most of them still are gag men, but we call them writers. uh huh. it looks to me like a try for power, mr. bremer, and i will not give them power. i'll give them money, i won't give them power. (narrator) but real power was not the studio bosses to give. hollywood was merely