museum in the sixties by decision of the ministry of culture of the soviet union. the original painting is located in america, in the united states of america in the metropolitan museum of artiod, late kuindzh, which you say, was written in a style that is characteristic of this period of kuindzh, a philosophical landscape, in especially. world of light transmission, these works are valuable, since we simply do not have other works by kuindzh in the republic, so of course, it would be a big loss, when museums are restored in mariupol, when proper conditions for storage are created there, they will naturally go there will return. paintings require special storage conditions, maintaining the temperature and humidity of the room, and the presence of security systems in them; while in mariupol this is not the case, the task of preserving the most valuable exhibits has been taken on by museum workers from donetsk. 1,600 items are rare books , which we now have in sealed form in the library storage room, these are about 200 items of an ethnographic nature, these are material items, the throne gospel, in greek, 1811 edition of venice, this is an original scroll. a 19th century sef

the original painting is located in america, in the united states of america in metropolitan museum of arte kuindzh, which. these are material objects for the throne gospel in greek, 1811 edition of venice, this is a scroll, the original scroll of the 19th century sefer torah, associated with the jewish cult, objects of greek everyday life, unique objects, a vessel called kumgan, dates back to the 10th century, was taken by the greeks from crimea, this is an object of medal art, but an edition of donetsk. says its director marina maksimchuk. our museum, unfortunately, came under fire several times from the ukrainian armed forces. the first shelling took place in 2014, it was the month of august, there were several shellings and there were several direct hits, one wing was completely destroyed, the nature hall was damaged, the storage facilities at that time were damaged, the archaeological collection was damaged. legendary commanders and just fighters who fought for their children, for the freedom of their homeland, one of them is evgeny khotsko with the call sign brest, him, yes, it’s all

museum in the sixties by decision of the ministry of culture of the soviet union. the original painting is located in america, in the united states of america in the metropolitan museum of artuindzhi, which you say was painted in... paintings require special storage conditions, compliance with the temperature and humidity of the room, the presence of security systems in them, while in this is not the case in mariupol; museum workers from donetsk have taken on the task of preserving the most valuable exhibits. 1600 items are rare books, which we now have in sealed form in the library storage room, these are about 200 items of an ethnographic nature, these are real items. in greek, 1811 edition of venice, this is a scroll, an original 19th century sefertara scroll, associated with the jewish cult, greek household items , unique objects, a vessel called kumgan, dating back to the 18th century, was exported greeks from crimea, this is an object of medal art, but also a publication of the donetsk regional museum during the fighting in the donbass. came under a missile attack from the armed forces of ukraine, says its director marina maksimchuk. our museum, unfortunately , was sh

art of the white house dinner in voice the oral history of jacqueline kennedy on life with john f kennedy and jacqueline kennedy of the white house. years in collaboration with the metropolitan museum of art. wagner is a graduate of merrimack college and the tufts university museum studies program, and he lives with his cat, lucy boston. good evening, everyone. nice to see all of you and your comments. it's also a real pleasure for me to speak tonight for an organization that mrs. kennedy helped establish and that always remained close to her. and it has been the honor my life to have been entrusted with the responsibility of helping to preserve and promote the legacy of jacqueline bouvier kennedy. over the last 25 years at the kennedy library, and i hope i can share with you just a bit of background of what i myself have learned about mrs. kennedy's restoration and tour of the white house. the two really go hand in hand with each other. and what i've learned through my work here in boston. the seeds for mrs. historical restoration were perhaps first planted after she visited there as. a tourist with her mother sister when she was just 12 years old, having loved history. she recall

if you are running company or an orchestra or you're the head of the militant metropolitan museum of arte head of the art institute of chicago you should be down on her knees in gratitude every day at your prive artistic traditions that are among the most sublime and world history. that allow the human being to escape his petty narrow pathetically ignorant self and expand into forms of consciousness and understanding that are so much greater then any of us could ever hope to experience. whether it is one of the great tragic trilogies of the classical age of athens to reade with its perception of the human thirst for vengeance and the transcendence of finally reaching a rule of law and a hope for justice. or renaissance poetry or of the late bronze piano music or chopin or the tragic catharsis that we get. these artworks that none of us really deserve. and it turns out the heads of our classical musicre organizations, our literature departments are art museums really don't deserve them. because they are going around telling the public what is most criminal is telling young people to hate

of the world's largest museums. hermitage, louvre, victoria and albert museum, metropolitan museum of art. however, the masters did not disappear anywhere. they are already making their masterpieces. in their own homes and sold online. tired of the road, we go looking for somewhere to eat. well, according to the navigator, please, you are welcome to the closed door. by the way, this is the second one and it’s also closed, it’s normal. what's the matter? we'll be left without lunch. so. well, apparently, because... after all, it’s winter, there aren’t many tourists, now let’s ask the locals, hello, hello, hello, cafe, we need something to eat , we want to grab something to eat, guys, the fact is that now off-season cafes are closing in very different villages, so i can just take you to any house, you are in dagestan, my friends, and this a hospitable republic, and you are local, no, i’m also passing through, i do excursions, conduct excursions, we are tourists... i introduced myself, said that i work as a tour guide, and we kind of send tourists here directly from the city of makhachkla and

will: if you ever go to the metropolitan museum of art in new york -- pete: i've been.re's a room that's a frank lloyd wright room. and it's hard to diabetes it. you walk in, and it makes sense. everything, oh, my gosh, all the lines and the proportions and the height and the furniture, it just all makes sense in a way that makes me want to see more of his stuff. he did a whole suburb in chicago. he did this falling water, and he's sort of the historical -- i think he is -- the prototype for howard roarke and ayn rand's fountainhead, he's the hero of the book. i don't know. there's your morning lesson -- pete: you should do a package on "fox & friends" for frank lloyd wright. i i just two to the painting of george washington crossing the delaware, which is huge. rachel: it's gorgeous. another person some say is gorgeous -- [laughter] governor governor newsom -- pete: you say. rachel: he is good looking, let's not lie. will: every time. pete: it's your leading talking point. he's also a socialist, rachel. rachel: i know if. he's a very good looking socialist. will: i'm n

of those actions have now become national museums. this is the national art gallery in d.c. most of his collection is the back of the metropolitan museum in new york. obviously, we had another collection. just as these stories came through, they had died just a few months apart. when he knew he was coming towards the end of his days, he said he was going to see him. he wanted to try to patch things up. he responded, you can tell him i will see him. i will see him in [ bleep ]. those stories are kind of linked together. so too, are the stories of frick and morgan. when they made their maiden voyage on april 10th, 1912, they were both meant to be on board. morgan, had been negotiating with the e u.s. government, to remove import duties on art and antiquities. this prevented him from h bringing his collection over from london to new york. believing a deal was done, he had his passage among others on the titanic. most of his collection was meant to be on board. after the last minute, the deal fell through. he extended his stay on the french riviera. later on, the u.s. government did allow him to bring his collection in. >> his wife

of nebula from pictures captured by nasa's hubble space telescope. she's also a graphic artist, creating designs for the metropolitan opera and museum of natural history in new york. but when so-called street artbegan proliferating along the rocks in her neighborhood, the artist saw red. >> when you see somebody defacing them and writing personal messages that they think will be immortal all over the rocks, it's really upsetting to me. it is visceral. pamela: she was so outraged, she took justice into her own hands, forming the citizens group, anti-graffiti vigilantes. >> just lightly brush over it with this. pamela: armed with only a brush and cans of latex house paint, she started taking a swipe against what she sees as crimes against nature. soon, a small posse of like-minded volunteers took up the charge. their restoration of these geologic gems requires wiping out words and pictures in such a way it tricks the eye. instead of just a cover-up, the rocks magically appear as they once were. >> i judge how close i am with the color i put on. the key to a good job is feathering in lightly. let the texture of the rock come through. pamela: at first they tried to clean off the spray paint with w