and then there was the was the well—received neurotic new york family comedy, the meyerowitz stories,, whose sharp writing was praised by his cast. he truly is the best. and we do see his dialogue word for word. whether we like it or not. —— say. these up politically charged, tumultuous times, and several films at cannes, this year, dealt with political issues, or pressing concerns — whether it be climate change, animal exploitation or refugees. at the forefront of films addressing the refugee crisis was 80—year—old legendary actress, vanessa redgrave, making her debut as a film director. poor people living here... the plight of the world's refugees ways heavily on vanessa redgrave. to explore the refugee crisis, her documentary draws on a range of media — video of her visits to a refugee camp, individual testimonies, news footage, a dramatised excerpt from shakespeare's play the tempest. they prepared a rotten carcass of a boat — not rigged, nor tackle, sail, nor mast. for vanessa redgrave, long a political activist, there were several reasons why she ended up making a film on the re