is michael baldwin coming to arrange my release?on't mind i'd like to ask you a few more questions about the, uh, weapon we recovered. >> victor: will you stop interrogating me and start finding the real culprit?

is michael baldwin coming to arrange my release? >> paul: um, if you don't mind i'd like to ask you a few more questions about the, uh, weapon we recovered. >> victor: will you stop interrogating me and start

michael brown and more. rankeen thus not only adds new chapters to baldwin's history of the american dream but in a fashion that is entirely her own. in a dedication dedicated to the memory of trayvon martin, rankeen writes, those years of and befored my brothers the years of passage, of jim crow segregation of poverty, inner cities. profiling, of one in three, two jobs, boy, hey boy. each a felony. accumulate into the hours inside our lives where we are all caught hanging, the rope inside us. passages like this one remind us that baldwin's "for nothing" both expresses a truth and counter acts it. opening the possibility for new vocabularying of democratic imagining. while coates and rankeen take baldwin's words and fit them into post racial times, the conditions and events that row vehicle their writing also point toward a gloomier way of interpreting the baldwin/buckley encounter and its legacies. if baldwin triumphed with his audience that night there are crucial ways in which we might still say that buckley won. if his casual racism and his studied ways his comments convey a common sense with race that reve

michael brown. >> will president obama visit his ancestral village when he goes to kenya this week? brooke baldwinhe president's family in kenya. she's here next. (music) imagine - these kids won't have to remember passwords or obsess about security. for them, every screen is meant to be touched. and web pages are meant to be scribbled on, and shared. they'll expect their devices to listen to them. and talk. and sing. and tell a funny joke. and as they grow, and get better at things their technology will too. they'll do things their parents never even dreamed of. because these kids will grow up with windows 10. the future starts now, for all of us. get started today. windows 10. a more human way to do. ♪ ♪ ♪ (vo) making the most out of every mile. that's why i got a subaru impreza. love. it's what makes a subaru a subaru. so you're a small business expert from at&t? yeah, give me a problem and i've got the solution. well, we have 30 years of customer records. our cloud can keep them safe and accessible anywhere. my drivers don't have time to fill out forms. tablets. keep them all digital. we're lo

michael brown and more. rankeen thus not only adds new chapters to baldwin's history of the american dream but in a fashion that is entirely her own. in a dedication dedicated to the memory of trayvon martin, rankeen writes, those years of and befored my brothers the years of passage, of jim crow segregation of poverty, inner cities. profiling, of one in three, two jobs, boy, hey boy. each a felony. accumulate into the hours inside our lives where we are all caught hanging, the rope inside us. passages like this one remind us that baldwin's "for nothing" both expresses a truth and counter acts it. opening the possibility for new vocabularying of democratic imagining. while coates and rankeen take baldwin's words and fit them into post racial times, the conditions and events that row vehicle their writing also point toward a gloomier way of interpreting the baldwin/buckley encounter and its legacies. if baldwin triumphed with his audience that night there are crucial ways in which we might still say that buckley won. if his casual racism and his studied ways his comments convey a common sense with race that reve

michael smerconish thank you very much. we watch you every saturday at 9:00 a.m. and 6:00 p.m. eastern right here on cnn. thank you. >> top of the hour. you're watching cnn. i'm brooke baldwin. joyce mitchell seamstress joyce mitchell wanted her own husband killed. at least that is what captured inmate david sweat is saying about the prison seamstress who was supposedly to be the getaway driver to mexico. this is one of now the multiple bombshell confessions coming from this convicted cop killer during his 23 days on the run, an escape he says he masterminded. he says he was the guy. richard matt who apparently slowed him down. sweat telling police that he grew fed up with matt who he says was physically out of shape and liked to drink which you shouldn't have when you're running from police. let me bring in justice correspondent evan perez who has all this great information from his sources. so as sweat is talking, what is he saying specifically about how they got out including that sledgehammer that happened to be laying around in the tunnel is. >> that's right, brooke. he's saying it really wasn't that complicated after all. it turns out that sweat told investigators he a

michael smerconish thank you very much. we watch you every saturday at 9:00 a.m. and 6:00 p.m. eastern right here on cnn. thank you. >> top of the hour. you're watching cnn. i'm brooke baldwin.yce mitchell wanted her own husband killed. at least that is what captured inmate david sweat is saying about the prison seamstress who was supposedly to be the getaway driver to mexico. this is one of now the multiple bombshell confessions coming from this convicted cop killer during his 23 days on the run, an escape he says he masterminded. he says he was the guy. richard matt who apparently slowed him down. sweat telling police that he grew fed up with matt who he says was physically out