>> everything don corleone did was for his family. whereas michael> he rationalizes by saying, this is for the family. but ultimately, he destroys the family. >> this is the product of francis ford coppola. you feel his sensibility. and this is the great revolution of the 1970s. >> it became very clear to the studios, if we could have a box office success with "the godfather," imagine what else these guys can do if we give them a chance. >> the whole school of filmmakers and auteurs that came up in hollywood in the '70s were really roger corman's godchildren. >> corman made "b" movies for these exploitation companies. he made movies very quickly, so, they were very, you have low budget. >> suddenly, i had a group from ucla, sc, and nyu of young filmmakers. they learned on the set while directing. >> working with roger corman, it's like a college. you're tired, you're distracted and everything -- doesn't matter. you're shooting. >> francis coppola, marty scorsese, jack nicholson, ron howard, brian depalma, and me, began with roger. the new hollywood i