michelle fiedler now a d.j. in the trendy bad time club and photographer martin in the 1990 s. he chronicled the spaces for the wall to new subculture but it felt as if you were stumbling through a land of adventure every day and something changed. a 990 s. felt like a new beginning to me techno had a lot to do with the period after reunification. tops of the fall of the eastern the full of empty lots and buildings abandoned industrial spaces were taken over by brave is out to dance to the new sound of freight and technology. in 1991 opens up in a one time department store vault it quickly became the flagship for the new party town and a launching pad for d.j.'s like paul van dyke. enabler went in with his camera. and they got the math mark the 1st time i was in the trades or i had a black leather jacket on my hair dyed black and all the other guys there had white gloves and bright orange safety vests on and i thought wow this is a completely different world what's going on here at the. table i moved to berlin in 1900. to the techno singer for about 10 years and he focused on t

in front of bedtime we talked to michelle fiedler d.j. fetal the club's resident d.j. and a luminary. i think it's great that techno has become such a global culture and the bad kind played a big part in that because people could 1st see what it's about and then carry the spirit far and wide and do spirit a whole ton of. michelle fiedler and to techno sing at the age of 18 now and he's made forty's he energizes dance falls from ukraine to colombia with his own tracks. mission until the 15th and i draw upon the experiences i myself had as a rave and i want to generate that very same energy again and again you know it's hard. rosen tyler plants in downtown michele phaedra looks back. to america we're going to we're standing on is close to many of the spots just toppling in stars or is there sort receive located in a squat that's why i had my 1st gigs across the way was the good walk around the corner here to the left was the imam of. the former underground club in a squat it was also. one of the. temporary spaces i'm kind of walking along here now and looking at the phot

michel fiedler techno scene at the age of 18 now and he's made forty's he energizes dance falls from ukraine to columbia with his own tracks. through the front and i draw upon the experiences i myself had as a writer and i want to generate that very same energy again and again you know it's hard. rosen talents in downtown. looks back. to mimic of what corner we're standing on is close to many of the spots just up there is there sort receive located in a squat that's why i had my 1st gigs across the way was the good walk around the corner here to the left was the imam of. the former underground club in a squat it was also immortalized as one of the. temporary spaces i'm kind of walking along here now when looking at the photos you can hardly believe the saying street so much about the city's expressive power has changed they're still. looking back how does that the talking to see the ecstatic friends joining the ninety's and early now that's one of the targets that was a totally fabulous time for me seeing from today it was a period of my life that was really good even if i feel very