a michelangelo. and a renoir? and a ming. you gotta get rid of this. oh, but i could not do that, master. why not? because i want you to have beautiful things. you never let me do anything for you. all the other genies give their masters treasures and palaces, i know, but if i ever need a treasure or a palace, believe me, you'll be the first one to know. well, now, get rid of this stuff. no. jeannie, i've gotta pay income taxes on this. but why? i gave them to you. well, that doesn't make any difference. i still have to pay taxes on it. you mean people cannot give you gifts? yeah, that's right. oh, you tell your government that is ridiculous. ridiculous! re-- they are you. [sighs] enjoy them. yeah, not-- i--i just-- i just can't afford it. jeannie? now, jeannie, you stop that. stop it this-- jeannie! come out of there. come on. now, listen here, young lady. i want all this stuff gone, you understand that? gone, when i get home. oh... he is so adorable when he is angry. [???] and a ming vase, and you're complaining? oh, how ungrateful can you get? hey,

i never said i was michelangelo. - - at did he say? - henry was saying he's doing the best that he can. and i would say to my students, "a poor thing it is." this woman needs a beating. now, you and i had an agreement. he's'sainting, mrs. murphy. [ laughs ] -he's wasting paint. -bring her tea, bring her mail. i'm like custer at little bighoror breaks open my mailbox rather than climb the flight for my key. -someone else did that, edith. -malarkey. what was i after, coupons from payless? i got your note about the mailbox, and i'm definitely gonna get to that. meanwhile, i was the one that asked henry to look out for r e postman. bring the mail up to you so it wouldn't just sit there in an open box. look at those brushstrokes.. . all right. uh, you know what? i work a late tour on thursday. i'll come around thursday morning. i'll finish the job myself. [ laughs ] oh, i hope it wasn't you who did the hallways. - no, ma'am. - i painted these hallways, edith, when this was my mother's building. they're a decent job. so is this here. and you

this is out of michelangelo. with the wounds and the whole thing. if i had a detail, if it were dark in here, we could see it, he is holding up his right hand. the has been wounded here. so, again, a reference to the crucifixion. und, when, long after trumbull died, this picture was used by boston abolitionists to make a case for black participation not only in the revolution but the absolute necessity that the time had come to end slavery. sometimes reference this picture, and it was at the dedication to the bunker hill monument, and that that event daniel webster was there. and president john tyler was there, a slaveholder, having his black servants hold up his umbrella. john quincynists, adams wanted to impeach high alert, he stayed home in quincy, massachusetts. shortly after that, there were prints made of this where the white thomas is eliminated from the picture and you can only see the black servant who then is basically promoted into the position of being a participant at the event. this became an abolitionist -- and all of his pictures wer

yeah, and michelangelo "only" painted the sixteenth chapel. maybe don't keep your face so close to the paint cans. sorry, buddy, i'm getting a golf lesson and then i'm playing with a client, but i'll try to make your next performance. ngs, thud) phil! little busy. oh, you always do this. you cram stuff in the freezer without thinking about it. i opened the door, and a frozen turkey almost fell on my foot. i keep pulling it to the left. are we sure the house is level? are you not the least bit sorry? i could have broken a toe. honey, i'm sorry for dozens of things every day that actually happen. if i start apologizing for things that don't happen, how productive of a person would i be? hey, your golf pro's here! (singsongy) hola, hola. hello, everybody! (phil) hey! thanks so much for the quick lesson, jay.

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cultural sf the geniuses who produced glorious art and brilliant ideas are still celebrated here: michelangelo; da vinci; galileo. >> renzi: florence for me is not simply a city. florence is a sentiment. and i think it's impossible to be a politician without sentiment. >> rose: matteo renzi's sense of romance about the wonders of florence makes him optimistic >> renzi: with the "yes," the italy will start the future. because in the last 20, 20 years, italy discussed only about the past. "oh, the past is wonderful in italy." look, look at palazzo vecchio. the most beautiful place in the world, in my opinion, i think this is incredible place. but the past is not sufficient. is not enough. we need the future. because we are italians. and italy is not only a museum. >> rose: italy is not only a museum. >> renzi: italy is not only the past. this is the point. for adults with advanced non-small cell lung cancer previously treated with platinum-based chemotherapy, including those with an abnormal alk or egfr gene who've tried an fda-approved targeted therapy, this is big. a chance to live longer with

all right, michelangelo. i just wanted to help. well, you can help me later when i start serving things up. "baste-- to sew with long, loose stitches so as to keep the parts together until properly sewed." that's a curious procedure, isn't it? they didn't fall apart in my father's day. the dictionary must be wrong. i think i better call hazel. that's a good idea. although, i hope she doesn't get the impression that we can't take care of ourselves. [ phone rings ] [ rings ] baxter residence. oh, hi, miss johnson. how's everything going? oh, for pete's sake. no, no, that kind of basting is like on a dress, you know, before you use a sewing machine. oh, well, sure, it's a natural mistake. oh, well, the kind of basting i meant, you take a spoon-- you know what i mean, spoon? oh, yes, hazel. one uses them for stirring tea. that's right. and then, uh, you scoop up the juices from the bottom of the pan, you know, bye, miss johnson. hazel says there's someone at our front door, herbert. would you mind seeing who it is? oh, yes, dear. well,

. >>> michelangelo ivoni, one of the group of voters i sat down with in warren voted obama in 2008 and 2012. >> we wanted change. we had to get out of the bush administration and what had been going on in there. we were told lies. >> this time, he picked trump. what made you vote for him? >> what made me vote for him is the fact that i believe that hillary clinton was a criminal. >> this man owns little joe's coney island, a diner. >> i hear people saying, well, he is a billionaire. he can't be bought. that's what people are saying. they can't control him. >> he came, right? >> he came three miles north of here. i think a lot of people feel like she took it for granted, like it was always been a blue state and she had it. >> it's car country. there are plants. between 2000 and 2010, half of the manufacturing jobs vanished. some have come back. household income is down 25%. pensions are gone or disappearing. the cost of health care is up. >> if i'm elected, you won't lose one plant. >> voters expect trump to keep those promises. >> put us all to work. give us the opportunity to earn a l

and mood disorders so there's many names that come up from sylvia plath, van gogh, beethoven, michelangelo, virginia will. there's a whole list in that category, georgia o'keefe. there's an interesting storyi wanted to explore with agatha christie . there's a period of her life about 14 days that she disappeared. just disappeared and she acted like she didn't know who she was and what was going on and it has been described by some as a case of dissociative amnesia, it's called read and i was really curious about it. but there were other pieces who would speculate that it was deliberate, there was something going on at that time in her writing and she needed to go away so there was something going on that we are not sure about. but that's the case where attic agatha christie, i think would be so interesting to learn about. but i decided that in fact i couldn't get in and i also did not, it's a. i needed to get the book done to have enough to support the chapter and so many others, judy garland, janis joplin, on a lot of fiction, hollinger. there's been speculation about ptsd with salinger a

the michelangelo of the portrait world. an artist in the truest sense of the word. a rembrandt if ever -- oh, i'm glad to meet you, mr. fenman. wouldn't you like me to go in there with you? oh, no. an audience tends to freeze my creative flow. darrin, do something. about what? sam, i assure you that diego fenman is an expert at handling children. oh, but tabitha's different. mrs. stephens, you'll be very pleased with the results. diego works magic with a camera. yes, but so does -- works magic with a camera, huh? [ chuckles ] that's nice. see that nice bearsy there? all right now, tabitha, you make cutesy for uncle diego. watch the pretty pony. [ tinkles ] [ ding! ] uncle diego ought to lay off the funny water when he's got to work the next day. watch the pony! [ tinkles ] [ ding! ] i knew i had problems, how long are they gonna be in there? honey, relax. diego's very thorough, mrs. stephens. why, the man's very nearly a genius. he just wants to get a perfect pose for the ad campaign. i'm sure tabitha's fine. all right, now. make cutesy -- cutesy for uncle diego. th