michelle luis was foracon in paris. in thiportrait which ithink is one of the best portraitshe ever did, he turns lu in to ki of african mask,he subject of his own studies. also i methim, he really did look like this picture. very serious. luis was iortant for bacon because he ve bacon t legiticy that healways thout wh the parisian art world that bacon may ha been one of the last non-fnch artists to think that paris was ill the capital of the art world in the 1970 fs >> charl: does it reveal new techniques that baconad mastered ithe '7? >> i thi it ds. we see tm repeate again in the lateelf portrait triptic he. where you see him using similar distortion i visited thexhibitionith a goodriend of mine who i brilliant mathemacian who deals withhaos theory and demation now working on mapping tree valves and he found these paintin scinating, because ofbacon's distortion, but at the same time distortion which is contained by certain realisticimits. >> charl: and the other "blood o pavement." >> here we see him i ink enged in o

michelle luis was for bacon in paris. in this portrait which i think is one of the best portraits he ever did, he turns luis in to a kind of african mask, the subject of his own studies. also i met him, he really did look like this picture. very serious. luis was important for bacon because he gave bacon the legitimacy that he always thought with the parisian art world that bacon may have been one of the last non-french artists to think that paris was still the capital of the art world in the 1970 fs. >> charlie: does it reveal new techniques that bacon had mastered in the '70s? >> i think it does. we see them repeated again in the late self portrait triptic here. where you see him using similar distortions. i visited the exhibition with a good friend of mine who is brilliant mathematician who deals with chaos theory and defamation now working on mapping my tree valves and he found these paintings fascinating, because of bacon's distortion, but at the same time a distortion which is contained by certain realistic limits.