this it actual low happened, i was micrs, and ava cabrera, who is the script supervisor, and sofia hadthis moment where they look at her and said you don't have to say anything. you don't have to hear anything at the same moment and i had the same feeling from 60 yards away. it doesn't marry what i gay. it a wonderful mystery. those two really-- and then i heard them say it, and i was like, that's right. this is how it's going to roll. >> rose: when people want to hire you, what do you think they're hiring? what do you think they're looking for-- >> finish that one. i'm hanging around for that one. >> rose: i certainly hope so. rch the experience and craft and talent. is there-- i mean, is there a-- something within you and your persona and they say, "i need that persona in my film?" >> well, i think i get some work now because one thing i tried to do is not be sentimental, is try to really just squeeze all the schmaltz out of everything. i try not to allow it. i've been relatively successful doing that. so if someone has a script that walks a tightrope of sentimentality, they can ask