mike harrison was rafael's football coach. he broke the news of rafael's death to the rest of the team. >> one of the hardest jobs as a teacher and coach is to look at a group of young men that you've grown close to and then tell them that one of their teammates is not going to be there anymore. and it just devastated our kids. they cried so hard, and just for the next week to ten days, it was pure emotion for them. >> from body temperature and degree of rigor mortis, investigators estimated rafael had been killed around midnight. since no one reported the accident, it was officially listed as a hit-and-run fatality. on the highway, investigators found evidence of where rafael was standing when hit. >> it was clear from the debris field that rafael was, in fact, on the side of that road. there's no evidence at all that rafael was walking in the lane or even close to the lane of travel. >> there were no skid marks, indicating the driver had not tried to stop before or after the crash. they did find broken pieces of glass and pl

i used to remember it would go away and i remember going on to the set with mike nicholson and harrison ford and i felt i was the one who needed to be nervous biting my nails and wondering and mike nickels was kind enough to break the news that i'm the same way and we all are. so when i talk to students, i try to remember of sayingeth not a question of not having insecurity or fear or the demons, it's a question of handling it. >> charlie: when you talk to students, do you teach acting? >> i do when i can. i don't have an acting class i always teach, but i try to go and speak to students as much as i can because it meant a lot to me when i was a student when people would come in and talk because having a sort of firsthand person talking about it is sometimes more helpful than the theoretical part of acting chen you're in class -- when you're in classes and doing scenes. >> charlie: what do you try to convey to them? >> that's a big one. understanding the basics of modern acting which is what do you want, what are you doing, what's in your way. and, generally, if you already the. >> char

away and never member going onto the set with harrison ford and i felt like i was the one that had the right to be nervous and biting my nails. then, mikeichols was kind enough to break the news that, i am the same way. when i talked to students, i try to remember to say that. it is not a question of having insecurities or fear or the demons, it is a question of handling it. >> do you teach acting? >> when i can. i try to go and speak to students as much as i can because it meant a lot to me when i was a student when people would come in and talk because having a first-hand person talking about it is sometimes more helpful than just the theoretical part of acting. >> what do you try to convey to them? >> that is one of the big ones. finding, understanding the basics of modern acting which is what you want, what are you doing, what is in your way? >> i like that generally. >> yes. if you know already and your gut is telling you what is happening, that is more valuable than anything. you don't have to go through that exercise. but if you find yourself in the moment where you are lost or feel tense or don't know what is going on, you go ba