mikhail andreevich sovetsky absorbed himself. the most important historical event of the twentieth stage, 25 vladimir prokoptsov general director of the national art museum of the republic of belarus honored art worker of the republic of belarus candidates of art criticism artist. and this is the witch, i showed my immeasurable curds on the right along the bridge, and those are our classics today. he went through a rather difficult life, especially in his youth until during the great patriotic war viktor olshevsky, honored art worker of the republic of belarus, artist, student of mikhail savitsky, in fact, it was such a very part of the harsh life. and, of course, she left a very hard imprint on his work. here creativity cannot be considered separately from his biography yuliya kovaleva head of the department exposition and exhibition work and the museum of the history of the city of minsk, his work is very autobiographical and his works reflect, but the main milestones of the events of his life, his feelings of his experience. b

mikhail andreevich sovetsky absorbed the most important historical exchange. twentieth year twenty vladimir prokoptsov general director of the national art museum of the republic of belarus honored art worker of the republic of belarus candidates of art history artist and this is a witch. outstandingly, i, skrara pomostatsku, showed my immeasurable curds, and those worthy have become classics today, our majority. he went through a difficult life for them, especially his youth, yes, during the great patriotic war, viktor alshevsky, honored art worker of the republic of belarus, artist, student of mikhail savitsky, in fact, it was such a very part of the harsh life. and, of course , teaching this left a hard imprint on his work. it is impossible to consider creativity separately from his biography yuliya kovaleva, head of the department of exposition and exhibition work and the museum of the history of the city of minsk, his work is very autobiographical and his works reflect, but the main milestones of the events of his life, his feelings of his experience. but

course, my candidacy was also proposed by the composition of the creative workshops of mikhail andreevich sovetskyt only a true master, serving as a freemasonry all the time and working on hopeless masters, but he was also a hydrogen teacher, he demands where he founded, as he himself about his installations. is not it was, but from the ussr bridge academy on nekrasov street it was in the film. what is this installations where, after graduating from the highest theatrical and massage institute, just under the kirovist islam andreevich what is called honed my heart, and it's me, the masters, yakily his school. it's not like that on its own. i think the authors are not only in belarus. and the lion is far from the idea that an artist should strive to become an artist all his life, he endlessly, well, how would he take off from us, what is called shavings? yes, may be rewrote several times until, as they say, insanity. yes, and before the canvas became, somewhere in the finger of the paint was already thick. yes, when they washed with a palette knife and remade it is important for me that work become