so mikhail savitsky looked like after his release from the concentration camp. two flaming eyes and hands clenched into fists. this is a symbol of unshakable spirit. the work of the summer theater dates back to 1976, summer theaters were pits for burning corpses, the picture shows a pile of bodies that are about to be eliminated, a security guard shows where and how exactly to unload, and the bulldozer operator indifferently carries out the command. the bodies of prisoners at soviet works are always light and virginal, from they seem to be. radiant light, because in the paintings we are not talking about the shell, but rather about the soul, which is why the figures of friedians or policemen are always twisted, wrinkled and black, this is clearly visible at work in the dance with torches, where the sondarkommando seems to be a pack of devils heading towards the bodies of prisoners . the work of a singing horse is striking in its plot, which shows not only the horror of death, but also the cruelty of the nazis, which is not only for... a cart instead of horses fo

these are 15 reproductions of belarusian artists who saw the war. with your own eyes: mikhail savitskyansyk and leonid chemelev, all their works from the funds of the national art museum of belarus. there are also qr codes on the light panels, so you can virtually take a tour of the museum itself. by the way, there is now an art exhibition dedicated to the eighty-fifth anniversary of the birth of people’s artist vasily sharongovich, classic linocuts, autolithographs, monotypes and drawings of the seventies and eighties years. from the opening day. the national art museum contains not only the works of the author, but also the artistic works of his successors. we will see that the academy of arts, therefore , the students of vasily sharongovich are very different within the walls, despite his rigor, despite all the principles that were, despite everything that he taught, for him there was still a second main hypostasis - to make them real artists, thinking, he is remembered as a very strict teacher, he really was a very great perfectionist in life for himself, he was strict for... his s

the art gallery of mikhail savitsky presents an exhibition worth its weight in gold. about 500 types of belarusian coins are presented here to the national banks in four. there are also a few of them, these were not mass editions, so each figurine is interesting, of course, the exhibition of coins is complemented by products made of porcelain, which at one time received the poetic name “white gold”. original porcelain composition of various manufacturers from the thirties to the present, they thematically complement and reveal the aesthetics of belarusian commemorative coins. next is sports news, we are on the air at 13:00. see you. try to take a prize, or even better, win olympic gold. such plans for returning from the olympic qualifying tournament from rio de janeiro were shared by vladislav demish, who was the first from the belarusian team to guarantee himself a ticket to paris. license to shoot with an air pistol at 10 m for our the athlete earned second place in the brazilian start. the emotions are amazing, the competition was very successful... they will fight

mikhail savitsky was born in 1922 and went to the front at the age of twenty.of dusseldorf, buchenwald and dahao; it was the brutality and meanness of fascism that formed the basis of the cycle of numbers on the heart. the name of the number on the heart is a metaphor for the serial numbers with which prisoners were marked and carried under their hearts. in total, the series includes 16 works, they depict the entire journey of the prisoners, from the train that brought them to the peron camp to the crematorium or those who were lucky enough to be liberated by the red army. the painting prisoner 32815 is a self-portrait of the artist. this is what mikhail savitsky looked like after his release from the concentration camp. a skeleton covered in leather, a face darkened from hunger and a bloody striped robe, but two flaming eyes and hands clenched into fists. this is a symbol of steadfastness spirit. the work of the summer theater dates back to 1976 . summer theaters were pits for burning corpses. the picture shows a pile of bodies that are about to be disposed of

the exhibition project first started in art gallery of mikhail savitsky. the exhibition sections are dedicated to the ninetieth anniversary of the birth of the first cosmonaut yuri gagarin and world aviation and cosmonautics day. rare footage, photo chronicles, documents, personal belongings of gagarin, as well as a whole series of sculptural portraits of the world's cosmonauts, from people's artist of belarus ivan misko. all his heroes are the first of their kind. the first cosmonauts from mongolia, vietnam, cuba, the first belarusians. planets and their inhabitants, their cosmic fantasy worlds with mysterious sunsets and sunrises, projects of interplanetary spacecraft were also presented by young artists from the smilovichi center for creativity named after chaim soutine. this was the news now, my colleagues will continue at 3:00 in the afternoon, i’m saying goodbye to you, stay on the first button. hello, we have a busy broadcast today, several loud ones at once. important topics, and there will also be a wonderful lineup of experts in the studio, well,

the exhibition project first started in the art gallery of mikhail savitsky.he exhibition sections are dedicated to the ninetieth anniversary of the birth of the first cosmonaut yuri gagarin and world aviation and cosmonaut day. rare footage, photo chronicles, documents, personal belongings of gagarin, as well as a whole series of sculptural portraits of the world’s cosmonauts, from people’s artist of belarus ivan misko. all his heroes are firsts of their kind, the first cosmonauts from mongolia, vietnam, cuba, the first belarusians.