mikhail savitsky leonid shermalyulov.on barezhkov and many lesser belarusian figures and bridges. all works reflect the psychology of that time in a different way, part of the work is occupied by the lyrical still life, so popular in belarus, again performed by the same veterans of the great patriotic war, this is, as it were, a niche in the fine arts in which artists expressed themselves. it was after the war, as if there was such a moment of relaxation, that is, in this text that the artists conveyed to us, there was an opportunity to reveal this silence that came after the forty-fifth year. this is the beauty of belarusian lyric nature, her face of the speech of lakes. here, everyone brought it up in a different way. to improve the third eight classes, the national center for contemporary bridges has organized a museum for a pedagogical lesson, a living memory of the war and who can visit up to the shostakh from shirvin, you put it will stretch up to a dozen. here is the whole mouth of belarusian instruments bellyash p