today we are often compromising the information of the right of the belarusian-lithuanian architect mikhneviche packing on our own sluggish decline in sacred and secular architecture. belarus, lithuania, in vilnius have a wide range of influences, and in other countries and quite often we share information that is an alternative project of the slave cult of the belarusian architect doylit, lyavon vitan dubeyka ўski, like darechs ў in their hour , shepherding petsyarburg atrymaў ўі ўdaskanalіў yours vedas - paryzhy, at the academy of architecture, and here we want to re-emphasize that the vedas are the classic gothic that was cultivated by the french, lyavon vitandubek. nesansu, dekaraty vezhy, atyk and faceted absida. kali we say pra gotyku, for example, at 13-14 stagodzi, geta asnoўny panoyuchistki, and all at the end of the 19th, pachatak. for centuries, past the past, past the powerful reactions of emergency situations, the communications and the floating of facts have been forgotten and all the time architecture, so it would be possible to quickly learn about the right thing. geta first fo

today we are often compromising the information of the right of the belarusian-lithuanian architect mikhnevichcline of both sacred and secular architecture in belarus i. lithuania, in vilnius has a wide range of influences, and in other parts of the world, and quite often we confuse the information that alternative projects of the work of the cult of the belarusian architect doylit, lyavon vitan dubeykauski , as darachs are in their hour shepherding the petsyaarburg of the atrym, from the sources of their knowledge from paryzhy, from the academy of architects tours, and now i want to re-emphasize such a thing, because we know about the classical gothic culture that was cultivated by the french, lyavon vitandubeikaski transferred. to belarusian gleb. catalan churches from the beginning of the 20th century may be in the form of agulnaga, it can be said that they are in the same style, the style of pereimannya and mixing. these are the hours of sparseness in architecture at the highest stage of eclecticism and maderna. inter'er, know, as in the era of rakako, going out onto the street. adgotykі n