today with me in the studio are costume designer anna khrustaleva and actress milana bru.ywhere, no, it seems to me that this is for this period of time, this is one of the main movements of our style, kind of strict, but free, and i very often see adults in this style, and i ’ll tell you more, i really like it, i really like it when it seems to be very formal and strictly, but there is such lightness, some kind of freedom, and this is very stylish, in my opinion, especially since now this is such another milestone of the return, and it can really be freer and combined even with grunge moments, that is, man an older person can wear a jacket and a suit, but on a naked body, for example, by the way, these are the elements that can be used in office clothes, because they have something in common, they are quite similar styles, but still different, what elements can be used. borrow for work in the office, because probably, there in a short adhesive skirt, it’s not always appropriate to come to any office, it will be strange, well, the same jackets, vests, shirts, it seems to m

we have costume designer anna khrustaleva and actress milana bru in our studio today.e working on the film? i’ll tell you once again about our work with director olga akatyeva, we initially agree that when we make a movie, any kind, we already have six projects, we... try to adhere to the principle of timeless aesthetics, that is, of course, i take into account , i look and look at how schoolchildren dress now, but we slightly we smooth it out, that is, heroes who, by their nature, should follow the trend, of course, they stand out, they look the part, but still it’s not exaggerated there are large jackets, a huge vest, which milana is talking about now, that is, we slightly smooth it out, so that after 20 years old, who will watch, i hope, our movie, he wasn’t surprised, no, it didn’t look somehow ridiculous for him, that is, so that the aesthetics were so harmonious, as i understand it, milana’s hero is such a girl, that’s another thing what character traits are you tried to reflect it in her costumes, and in what ways did you achieve this? well, firstly , there had

and my guests today are costume designer anna khrustaleva and actress milana bru. hello. hello. to school uniforms; this is the premiere of your film. step right away a question to anna: how does the work on creating images in cinema work? well, first of all, this is, of course , mental, intuitive work and in some kind of ideal world, well, in an ideal world i mean not in the material, that is, you need to find commonality between your idea of ​​the hero, the hero, as the actor represents him, as the screenwriter represents him. and the director, and as soon as it’s all tied into one , the image is found, everyone is happy, then the tenth thing is to find your own clothes, it happens, don’t let’s just go straight from the very beginning, the costume designer receives an offer to work on the film, which takes place in a school, that is, accordingly, it’s basically a school uniform, yeah, and preppe style, yeah, and something connected with school, and with uniform, with uniform, and with school. somewhere it is, somewhere it is not, somewhere it is free, and this is such a rather