miloshevsky, i am happy that i listened to you, mr.c, and this , of course, including this one, play it, play us something american, with pleasure, by the way, i knew that you would be interested, i... prepared something, this, this in general sacred music, they play it in churches, but they also put prayers on it, they call it in english there. excuse me, visitor, who is from the court order, i’m coming. you, what do you need, mr. stakhovsky, let me testify to you, closer to the point, why did you come? same to the point and he came, you see, we have an innovation in the department, a new prosecutor, a new time, as they say, but he deigns to ruin the past... such cases are sent for further investigation by your seminodel, among others, be quiet, not so loud, so what, it’s all the same for you , royal, say, hurry up, i have guests , well, if you please, can we hurry up, that’s the same thing, and for the forgery of the bill of sale in the name of mrs. kosavets, how much money we are giving out, i swore to god that the case would be clo

formed in the editorial office of the gudok newspaper from friendly conversations between vladimir miloshevsky to surprise. the previous exhibition offered to look to the paintings, to evaluate them, without knowing the era or even the name, the author is unknown, then in the current exhibition, the context, the time in which the artists lived, is very important. like a reporter , the artists recorded the reality here now, turning the sketch into art, not only in peacetime, sketching streets, parks, but during the war at the risk of mavrin’s life , leaving for posterity temples that seemed to be blown up, with painting they comprehended the realities of the thirties and despite the closed nature, they kept pace with world artistic processes when they interfered ideology, tried to realize themselves in book illustrations, the group itself did not exist for long, but the artists who lived very eventful decades left a great legacy and understanding this is extremely interesting for us. the museum traditionally shares the joy of opening with everyone, and the first excursionists are blind visitors