the creative corpses of the theater, this is the troupe of opera, ballet, orchestra and choir, and mimansae, but of course, there are also conductors, directors, but the nuance is that at the moment when this whole must be embodied, it is thought out, a production group is created, we listen to: stage designers and artists who tell us how the performance will look, uh, what new ideas are included here , principles director's and so on, but at this moment the action comes into play, the director, i enter here into the wonderful world of the fact that on the one hand i can artistically appreciate this, because after all, i am a musician, musicians, and a person who in general , i studied the history of music from childhood. on the other hand, of course, i’m trying to look at all this, listen carefully to understand what it will all lead to, how we will implement it, how much it will cost, whether we will fit within the proposed budget, legally should i invite this or that specialist now, or maybe i need to look at someone else, and so on, that is , stories unfold in which you organically sud