one of the things she does is she sculpts -- this is her minnehaha from 1868. she puts almost a neo classical look on americans, especially american women, especially american women of color. so her minnehaha is very famous, but perhaps even more famous is this statue of 1867 called forever free. she's doing a lot with this sculpture here. you can see the main character standing has chains on. the chains are broken, but they're not off, which is interesting. for our purposes today, one of the things that is more interesting is that the man in this sculpture is unclothed, but the woman is clothed. which is a real reversal of the idea of african-american women as being somehow objects that are not -- that are not bounded. she's dressed. she is, if you will, taking part in society in a way that he, without clothes, is doing less of. it's sort of the protected woman and the idea that she can carry -- she can carry herself forward into modern american society, even though he's bigger and more powerful and even though she's at his feet, there's a lot going on in that