you married in the mid—1960s, the late great miriam makeba. the stage by miriam and harry belafonte. i grew up with miriam. you married in the mid— 60s? we married “119611. i produced a lot of her records. we wrote quite a few songs. we worked together for over a0 years on and off. and you enrolled at the manhattan school of music, and enjoyed the tutelage of dizzy gillespie, louis armstrong, and that's when you began to develop your own unique style of afro jazz. i went to the stage as a bebopper. i was a jazz musician, but everybody said hey, you will be a statistic if you came here forjazz, but we would like to hear some of your african stuff. i was hoping to play with the best. clifford brown, lee morgan, donald byrd, kenny doran. all of the great trumpet players. and saxophonists, they came from there. they said, form your own group, we want to hear african stuff! dizzy said the same. of course, belafonte and miriam did. that was the only way i got noticed. otherwise you would not stand out... you think it was a result of your exile from