denote that it’s not a person, it’s a theater, there’s gaidebur, tairov, vakhtangov, stanislavsky, mirkholdnot too long ago, compared to how well you know the history of the theater, yes that you are a spectator, i am a teacher at the school of studios, nothing more, but this is an amazing time , it was taganka who still didn’t continue anything, literally, an amateur’s judgment, but synthesized it all... she twisted it so much, tied it up so much that it hit like my students they say, they say, it hit me, that it hit millions of people, respecting the mode of the podcast lab, i shorten it, and answer, i didn’t succeed at the very beginning, i graduated with honors, for me at first - for the second year i was like it’s called a non-qualified listener, a volunteer listener, in the middle of the second year, etuzh demanded that i return, and me and sasha zbruev, my classmate, who was also deprived of certificates after the first year, smart, yes, probably not, something else, everyone, well actually everyone was too smart and you and i, here it ends, the shchukin school, i choose , not only a

say that it’s not a person, it’s a theater, there’s gaidebur, tairov, vakhtangov, stanislavsky, mirkholdwell know. yes, what are you, what are you, i, i am a spectator, i am a teacher at the studio school, nothing more, but this is an amazing time, it was taganka who still did not continue anything, literally, the judgment of an amateur, and so synthesized it all, twisted it so much, tied it up so much that it hit, as my students say, they say, it hit me, that it hit millions of people, respecting the podcast mode, i’ll shorten it and answer: it didn’t work out for me at the very beginning, i graduated with honors, at first for the second year i was, as they call it, not a volunteer, a volunteer, but in the middle of the second year this same one demanded that i return, and i and sasha zbruev, my classmate, who was also deprived of this certificates after the first year, he was also too smart, yes, probably not, something? another, everyone, well, actually, everyone was too smart and you and i, it’s ending, the shchukin school, i choose not only... according to my taste, but according to

kirill’s father he was the most interesting person, who had never been in this house, akhmatova, mirkholdar, at the age of 19 with well, all sorts of others business, lyovushka, grab a plate of sandwiches in the kitchen. here is akhmatova, when she came here, here is where she was sitting, and lyova already reported, she was sitting wherever she had to, in this chair too, and in this one too, which is strange, of course, strange. in general you can as much as you like to say that talented people are exactly the same as others, but of course all this will be a lie, talent is always some kind of deviation from the norm, you know, i even tried to draw. and it even worked, but still it wasn’t all the same, probably because the main thing in her was not her earthly essence, yes, that is, not her complexion or wrinkles, but something, something elusive, indescribable , yes, indescribable, well... it’s impossible for a new artist to grasp a model based on him, as always , in your repertoire you introduce mysticism to the ladies, an unearthly essence, not being, but for the artist there is nothin

that it’s not a person, it’s the theater, there ’s haideburg, tairov, vakhtangov, stanislavsky, mirkholdas taganka who still did not continue anything literally, an amateur’s judgment, but synthesized it all, so twisted, so tied that it hit, as my students say, they say, i got hit, that it hit millions of people , respecting the mode of the podcast lab, i’ll shorten and answer, i didn’t succeed at the very beginning, i graduated with honors, at first, for the second year, i was, as they call it, a partial student, a volunteer student, but in the middle of the second year, etuzh demanded that i return, and i and sasha sbruev, my classmate, who was also deprived of certificates after the first year, were also too smart, yes, probably not, something something else, everyone, well, actually everyone was too smart and you and i, the shchukin school ends, i choose not only according to my taste, but according to the taste of that new russian literature, prose, which i endlessly loved, the opening of the magazine youth, the appearance anatoly gladilin, vasily aksenov, and binge. i read new pros

the form in general, that they could only come up with, well, because who was there, stanislavsky mirkholdikon theater, let’s listen, there are things that i don’t i will do it because how can i tell you? you see, and i can afford a lot in terms of telling lies, if i need to say flattering words with someone in a personal conversation, to some unpleasant person on whom something depends, i’ll say nothing, i’ll wipe myself off, i’ll kiss him, nothing, my pride, because my pride is in the theater, in its fate, but in the product. yes, but uh, let’s say, to commit some kind of action that will cast some kind of shadow on the theater in the name of my father, well , there are just things that my dad doesn’t allow me to do, but what kind of action is that, well, i have my own scale , and its own red line , two questions from this video, did you have to wipe yourself for the sake of production and are you ready to... but not to flatter, probably, to find some ways, but solutions, but there were also prohibitions. you think everything was so simple for me since everything was there and i staged i

stanislavsky mirkhold, and mikhail chekhov , well, no one will kill this and no one and everyone stillord a lot in terms of telling lies, if necessary, with someone in a personal conversation, to some unpleasant person, from whom what - it depends, say flattering words, i’ll say it, nothing, wipe it off, kiss him, nothing. my pride, because my pride is in the theater, in its fate, but in the product, yes, but, let's say, to commit some act that will cast some kind of shadow on the theater in the name of my father, well , there are just things that my dad does not allow me to do, but what kind of act is this, well i have my own scale and my own red line. two questions from this video, did you have to wipe yourself off for the sake of the performances and are you ready to humiliate yourself, flatter, squirm, but not flatter, probably find some ways, but solutions, but there were also prohibitions, do you think everything was so simple for that's all for me and i put it somewhere there, well, first of all, i they shout all the time that they don’t stage as many new things there 45 as ther

and mirkhold doesn’t look at me. in what other theater in portrait fi nemerkhol does not look at me andbig thoughts, i say with absolutely peace of mind that we are smaller and thinner, as long as we want to reach out, and that’s wonderful. despite its venerable age, the theater tries to be relevant in order to meet the modern audience. on new names of directors, playwrights and actors appear on the posters. portraits, corpses, like a selection of smiling characters from your favorite tv series. even a person far from the theater world will buy a ticket to the performance and then proudly say, i saw how this kept woman performs on stage, and will tag the moscow art theater on social networks. in today's art theater is in search of a theme, this is important , it seems to me that the art theater is overloaded with work, this is good, it seems to me that the art theater makes such good hooligan surprises for the viewer, again, this is an art theater, which, having gained the impudence, gives rise to new traditions, we have a 125th anniversary, this is by no means a summing up, this is...