sharp, even stanislavsky has to, well, somehow adapt to this, in the thirties, on the contrary, mirkholdt is in the fold, stanislavsky is at the top, but peltser again does not fit in here, she is korshevskaya, a theater of miniatures. somehow it helps her to open up, and then satire, this is it that's it, yes, it's a popular theater, they can stage classical plays, modern plays, but it's always for the audience, it's... wonderful directors, mark zakharov, yes, valentin plutchik, who is the main director there, but the main thing in this theater is the actors. this is a podcast by lizenshteyn, in which today we talk about an outstanding actress of the second and third plan, tatyana peltser. i wanted to remember a couple of roles, actually, peltser in the satire theater, there was a wonderful performance, why do we know about this, we can to see this now, we can say no. all the time i want to see in this, of course, some echo of the story of peltzer herself, that then she tells the story of her life, she had five beloved men, they all went to different countries, and after the war she wrot