empathize, i realized that i needed to work further, then he began to work for me to enter the mkhat studioth me as a director, so i have everything the work was professionally done as a director, and i carried out the will of the director, my father, and then oleg pavlovich got involved - who believed in me, he took me to the theater from the third year, i was already famous in the snuffbox and further, further, further, further, but my father believed in me from the very beginning, so i also understand that when i believe in my children, when i see this, then i will connect, this is one of the largest cities in the world beyond the arctic circle, as the locals joke, it’s cold here for 2 months, and the remaining 10, well, very it's cold, we're in norilsk. friends, we see such a beautiful, beautiful black sword, what is the temperature of this entire mass, 1,200°, how do the guys withstand such a temperature, the fortitude of a real metallurg, ore. iron, metal, copper, platinum, let's make an iron man, if this an iron man after a shift, tired , hasn’t washed yet, then he should smell like

all, affectionate and iron, then i studied with ivan mikhailovich. with the great teacher of the mkhat studiovich tabakov, he was an absolute master in pedagogical activities, what are you doing, volodya says, i’m seeing some kind of door, i started the door once, stop, i say, well, what you open the door like that, i say, how do you even remind me of iceberg, that’s it... you don’t have enough of something on top, i don’t see it inside, where can you turn it all over, and i opened it like that , a lot, turn it back, here it is like iceberg, he turned me back and forth, pushed me down, in general, on the contrary, he wanted , he wanted to bring this lower part to the top, well , in general, the teacher, to violate nature, physics, and this is very correct, from what moment did you understand that you something like this, well, like this... and no more, no less, or just sank and surfaced, no, well, i realized that it needs to unfold itself all the time, look, this is how it turns out, because cinema requires very detailed work, in fact , when you are submerged, when all this is big inside, a d

empathize, i realized that i needed to work further, then he began to work for me before entering the mkhat studiodirected, and i carried out the will of my father’s director, and then oleg pavlovich got involved, tabakov, who believed in me, took me to the theater from the third year, i was already in the famous snuffbox, and on, on, on, on, but my father believed in me from the very beginning, so i also look and understand that when i believe in my children, when i see this, then i'll connect. we continue the conversation with sergei bezrukov, with you, the host of the creative industry podcast, elena kiper and roman harmanov, with what the theater approached its tenth anniversary, i think that firstly, it is its audience, because a theater without an audience is impossible, we can to be one of the most accessible theaters in moscow for spectators, because it is literally 15 minutes from taganka to kuzminki, and from kuzminki you leave on foot for one and a half minutes, i s... in the theater for people who are blind, visually impaired, there is, of course, a ticker, there are special screens fo

reader, a great, people's artist of the soviet union, and he prepared me for admission to the mkhat studiosfessor at the moscow art theater school, he auditioned me, in general, i had support before the selection committee, because monyakov was on the selection committee. some kind of confidence is everything. there was no confidence, no, there was no confidence , but such wonderful people supported me, and what they read, remember, interestingly, i remember, i read the fairy tale about the golden cockerel by pushkin, that you are a golden cockerel, about the golden cockerel, this cockerel then fed me , when i already entered the philharmonic into the reading department, the literary and reading department, after graduating from the studio school i began reading concerts in schools, with this golden... tushkom i performed in schools hundreds of times. well, this is a wonderful text by pushkin. it's just such a gem. listen, how wonderfully the children listen to him, to pushkin in general, the children listen wonderfully. and gorky, by the way, i read gorky when i was a child. and a little l

in the fifty-fifth year of graduation from the studio school mkhat, when oleg efremov organized his famousand sold the leftovers in the morning. if i start telling how i exchanged voronezh for moscow, it’s better not to know, and honor and praise to him that this is all, keeping in mind, they kick you out, they don’t take you there, you go there, and until the end believe in yourself in the possibility of your existence in this profession, listen, they break down. 80% of the artists, 80 , if not more, bronevoy’s family, his late wife’s aunt’s daughter was almost starving, finding himself in a hopeless situation, bronevoy found an unexpected way to make money, i stayed on the boulevard to play dominoes, but i didn’t know that if you win on the boulevard, god forbid the ruble, you have to continue the game, they almost killed me, there are these old people, i was young, i say, well, let me tell you tomorrow i’ll lose, i need this now , i won 2 rubles, let me leave, this is my situation, the armored man doesn’t give up, continuing to look for work, he finally finds it, andrei gonchurov, at a

bright blonde passed another beauty, vera allentova, at the turn, and she was the rector of the mkhat studio she says , but i have a husband, menshov, but what about naslu, but him, she says, don’t worry, they won’t separate the young family, i’ll take him too, she was fully confident that they had them from the youngest, they didn’t even go to other theaters to show. that their fate is decided, they take irina miroshnichenko, and allentov says, we were taught that, well, you can’t express emotions on your face, you should always be happy there, well, teaching artists this way, pretend that you are happy about other people’s successes, well, don’t show it emotions, but what was going on in their souls, words cannot express it, then in the family circle they discussed it all, so to speak, versions... should you give birth to drop out of the profession for a while or have an abortion and play the main role? well partisans, they are talked about more, i would like to see at least one, as you understand. the auditions had already begun , but the actress wasn’t there then, today the actress comes

childhood she took advantage of her father’s connections, her without any problems they took the mkhat studioling, entering various competitions there and so on, and they say that this one is so invisible. listen to him, i think that later the relationship arose again, but they arose after, there were no intersections, there were no intersections with irina petrovna, and anastasia sanovna was not offended by this, but i think that anastasia sanna was offended by the fact that she could not bring him into the ranks. anastasia olegovna assures that her father did not love her. that’s it, that’s it, that’s all over, with her, with him, with me, there are no intersections of sirins here, he very often says, that ’s what kind of seboritis is, that’s what you are like here, sebarites, to say, these are not your roles, we’re here we all do the same thing, theater, so he forbade us to feel that you... seem to be the main one, that there is the first artist or the first character, he immediately puts us all on an equal studio atmosphere, you are a people's person, not a people's, famous, not famous, g

he is still more than two years old, but his character is a sense of rhythm, stepping into the mkhat studiohall, which is also very important, not all theaters could afford allow us to place another wheelchair, i was with you on the nameless star, sasha sazon directed us and it’s a very interesting work in my opinion, and moreover, this is precisely the same acting experience that an artist receives thanks to guest directors, then, what did i come up with for them, because i also work in different genres, so as not to get tired, drama, i have phantasmagoria, i have... and in guber they also call me guber dad, but artists are the same children, the same children need to be taken care of to think, i literally passed by there, i was on the phone in my worries, i literally didn’t pay attention, that’s all, that’s a sleepless night, that feeling that they didn’t look at me , they looked at me, that means something has changed, the attitude has changed, that means there will be no more roles, which means everything is not needed, they didn’t give me a certificate. for an actor, attention, if sudd

empathize, i realized that i needed to work further, then he began to work for me before entering the studio mkhatprofessionally done as a director, and i carried out the will of my father’s director, then oleg pavlovich tabakov, who believed in me , got involved he took me to the theater already from third year i was already famous in the snuff box and further, further, further, further, but... my father believed in me from the very beginning, so i also understand that when i believe in my children, when i see this, then i i’ll join in, we continue the conversation with sergei bezrukov, with you, the host of the creative industry podcast, elena kiper and roman harmanov, how the theater approached its tenth anniversary, i think that firstly, it’s its audience, because a theater without an audience is impossible, we may be one of the most... accessible theaters in moscow, because it’s literally 15 minutes from taganka to kuzminki, and from kuziminki you get out on foot for a minute and a half, i built a theater accessible to everyone in the primary and figurative sense of the word, because we were

could still go to a theater institute, so i entered in 1974 and graduated in 1978, so for me the mkhat studio anyone upon admission, because dima ledogorov studied with me on the course, who starred with me in the episodes in the universe, he starred in the role of an opopite, he was bald there, so handsome, slender from another planet, together with his before you were noticed in the course of the studimhat school, you were noticed. the creator of this film, how is it about auditions or you know, how the most important things in fate often happen by chance, relatively speaking, in a line somewhere for milk you could see the acting assistant, no, not in line for milk, because by that moment, when richard nikolaevich began filming the film, i had already starred with danel, i had already starred with lyubimy, i had already starred with chomsky polosich. therefore, richard nikolaevich was already in the acting department, an assistant for artists, he found me, and our other heroes, that is, of our film, someone was found in the radio and television choir, someone was found at school, that’s jus