my friends and i play the top five this are the top five that, moki is about as good as it gets. >> hegs in the same tradition that aaron neville does. it goes back to the french creole thing in louisiana. byy were very influenced french baroque opera. really loud and belting like caruso, they would go in the falsetto and saying a lot of embellishments. that's why he loves doo- wop. >> he is one of the best and the last of the great doo-wop singers. he is much more related to french baroque opera. belters like wilson pickett. but those guys sang in the beautiful falsetto and made it a beautiful thing. to ask yous going this question last night but we ran out of time because there was so much to get to and i can do justice to everything in this book. but every time i talk to you, i am always struck by your depth of music history. you didn't have time as you are forming this career to get a phd in musicology. nobody does these days. but you know all of this stuff. to read, i am a reader. by going into the music and going further and further about the lives of the people that sang it. sin

my friends and i play the top five this are the top five that, moki is about as good as it gets. >> he in the same tradition that aaron neville does. it goes back to the french creole thing in louisiana. byy were very influenced french baroque opera. really loud and belting like caruso, they would go in the falsetto and saying a lot of embellishments. that's why he loves doo- wop. >> he is one of the best and the last of the great doo-wop singers. he is much more related to french baroque opera. belters like wilson pickett. but those guys sang in the beautiful falsetto and made it a beautiful thing. to ask yous going this question last night but we ran out of time because there was so much to get to and i can do justice to everything in this book. but every time i talk to you, i am always struc

my friends and i play the top five this are the top five that, moki is about as good as it gets. >> he the same tradition that aaron neville does. it goes back to the french creole thing in louisiana. byy were very influenced french baroque opera. really loud and belting like caruso, they would go in the falsetto and saying a lot of embellishments. that's why he loves doo- wop. >> he is one of the best and the last of the great doo-wop singers. he is much more related to french baroque opera. belters like wilson pickett. but those guys sang in the beautiful falsetto and made it a beautiful thing. to ask yous going this question last night but we ran out of time because there was so much to get to and i can do justice to everything in this book. but every time i talk to you, i am always struck