having been on the board there, fisher being on the board of moma would have been the logical place for a highly resisted by the family and those involved with how a collection for a long time. i am pleased that it is landing where it belongs. i may have additional written comments later. commissioner moore: there is a fine grain of traffic conflict. it is partially because of traffic impacting how how you crossed the third street intersection on markets. there are like cumulative impacts in all of these blocks. there were great solutions for parking their cars -- the success of high-tech is being looked at fairly and squarely, the elements closer and further away. if we choose a corridor in the er -- yerba buena, i'm on page 139. i would ask they are moved closer right behind the marquee theater. i think they created a composition by which the layering of historic and new architecture works very well when you saw the museum of modern art composed well with historic buildings. and we won't see that anymore. i ask that we take a slightly closer look at how the most important views. it ha

the commission decided not to draft a letter for moma. there was only one real concern. staff made a note of the concern. for the america's cup, there was no public testimony -- relief for either of those items. the richest commission comments. they decided to continue the item, leave it open for their consideration at the next hearing. there might not be any concerns at that hearing. they wanted the opportunity to take more time to study the document. commissioner olague: thank you. commissioners, you are now a general public comment. it has a duration of 15 minutes. at this time, members of the public may address you on items of interest to the public. each member of the public may address the commission for up to three minutes. keep in mind you not addressed the commission on any item listed on the counter and that he must make all of your comments within the 15 minute time limit. i do not have speaker cards unless there are cards on the rail. >> is there any general public comment on items on the agenda today? >> i wanted to comment briefly about the seqa appeal issu

. >> brown: with stein sculptures and pictures at san francisco moma would be worthy of a show even ift the steins of course give a lot of added interest. a across the street at the contemporary jewish museum they have a comannian show on the life of gertrude stein. >> these are two drivers by david levine. >> brown: as a character, stein was a fascinating study and one art professor awe mayor tuesday at stanford and guest curator of this stein show is in her life and friends. >> many friends were rather short-lived because she would quickly move on to another interest, another artist, another project that is she was taking on. >> brown: one friend she did keep was her companion, alice b.toklas, a major feature of this exhibit. >> gertrude and alice fell in love and the they moved into the apartment of leo and gertrude. it was gertrude who continued to bring artists into the home. >> brown: but gertrude stein wanted to be more than a collector. >> they liked collecting but after a while, her public engine as a patron and a collector bothered her. she wanted to be known the same way pic