and i started to notice when i was curating at moma or artist studios there would be these back turn paintings that artists didn't want to show me. but they weren't going to burn those paintings either, right. they were critical for the works and would go on to their acclaim and i started to wonder about whether these paintings, these potentially failed works were not just critical for the creative process but for the indentures and entrepreneurial feats we all celebrate. i wanted to understand that it wasn't about a cliche. >> rose: hillary clinton's hard choices and sarah lewis' case for failure when we continue. >> there's a saying around here: you stand behind what you say. around here, we don't make excuses, we make commitments. and when you can't live up to them, you own up and make it right. some people think the kind of accountability that thrives on so many streets in this country has gone missing in the places where it's needed most. but i know you'll still find it, when you know where to look. captioning sponsored by rose communications from our studios in new york city, t