katy siegel is sf moma's research director.is first exhibition she says -- >> just to blow people away, just to blow people away, overwhelm with the evidence that these artists are incredibly important. that said, going forward, i'm really most excited in a way about showing that art throughout the whole museum, putting it in the context of the larger collection and showing these artist, just like all the other great artists making great artwork in our collection. reporter: so the idea for now has to be an exhibition dedicated to disabled artists, but eventually integrated into what we think of as art. >> i think museums have done a lot of gatekeeping over the years around who's a professional artist and so the idea of having self-trained artists, having artists with differing abilities, having artists with different, from different backgrounds and judging people not by their certifications, but by their artwork. reporter: back at creative growth art center, i asked executive director tom dimaria about this. are you asking peop

and he he was one of the first artists to have a have a show at moma. he was included in the first show of american artists at moma during world war two. he was declared an enemy alien. so the the, the way citizenship laws worked at the time, only a free white, free white people and people of african descent were eligible to become citizens. so japanese people, people born in japan, not eligible to become united states citizens. so he he volunteered for the war department during world war two. helped, right japanese propaganda radio, broadcast posters, etc. in 1952, the immigration act of 1952 finally lifted race based restrictions. it went into effect in late 1952. the immediate immediately applied for citizenship. but he died three months later, before his application could be approved. so he died stateless. i should also his wife, when he was married. in 1932, i believe his wife lost her american citizenship because a woman who married a man who was not eligible for american lost her citizenship. so his wife was stateless as well. i i really think it

. >> for so long museums and especially large institutions, such as sf moma have been very restrictive about who deserves to have the museum -- have their art shown in the museum. >> inside the museum a space to see the creative growth exhibition. >> ranging from alice wong who paints vintage photographs to ron who creates large-scale portraits to camille who is behind me who creates autobiographical drawings. they have such vibrant practices and have been so important contributing -- made so many important contributions to artistic dialogues in the bay area that having them in the museum and the museum's collection on our walls, it's been a long time coming. and so we're glad that it can finally happen. >> this is me and my mom. >> with artists who aren't scared to show the world what they have to offer. >> no, i can't do that. i can't be scared. i can't do that. >> how come? >> because i want to be happy. >> and the studio is where it starts. >> that's me. that's keith. my brother, terry. >> and the presence of a photo of his family. >> because so -- so they can see it. >> see that s

conserve works with institutions like moma and the smithsonian library and archives to track how theirrogressing. are they having some crack's develop. all of those are important in chips. chips are very interesting interface. that's intriguing for us to invest in. caroline: talk about nfc chips. why? nick: it's a category whether it's the rarity or the traits, been a collector, well-known known as a designer. when he and i connected we saw this world 2024 has a 20 $50 million market. 10% of retail right now. they want to flex it. they want to learn more about it. >> you're also on the intersection of web three as well. you've got such an interesting career background in law having set up film festivals. who is big in the nft space. why pay nfc chips. >> we started by thinking but how could these physical items manifest themselves in the digital world. about designers working to design digital nft is as clothing. how can they work with games like call of duty or gta. the more we explore digital the more we realized that's one of the beautiful things that they offer so this has just ope

well, it was jack moma dives into the issue. >> johnny mendez, let's her girlfriends car.nd warm day in san jose. mendez has been homeless for just a couple weeks. she says she works as a security guard pulling in about 1000 bucks a she's been homeless before. but this time she says her hopes are shot. she says she's been rejected for voucher programs. so far we have to get really pragmatic or concern comes amid the city's struggle to fill a 50 million dollar deficit in this year's budget. mayor matt mahan told the community they're going to prioritize homeless resources. you have to experiment with things that we haven't done a lot of in recent years while at the same time focusing on reducing homeless encampments, we're going to have to experiment with safe sleeping sites may or may have says a cheaper option to get people out of an unsanctioned encampment is through illegal. what an example is when you drive down willow street by the 87 and see this encampment may have has proposed moving this one into a sanctioned encampment. there's just way too much red tape. the fou