it stars the 30—year—old welsh actress, morfydd clark, in herfirst major lead role.enges for me was dealing with a lot of subject matter that i feel quite passionately about, which is the nhs and how we treat workers there. and also, kind of, just struggling in loneliness and it was kind of thinking about that every day with trying not to obsess about that every day. the film was written and directed by 31—year—old bafta rising star, rose glass. we kind of saw this film as a weird, messed up, fun character study that naturallyjust ended up veering into horror and i think it's a territory where you can sort of talk about quite interesting themes, but dressed up in quite a fun, crazy way. i've got more important things on my mind. i didn't have the characters on social media a lot. the relationship that she has with god, and in a way the audience of the film, is, in my mind anyway, quite similar to the relationship i see some people have with social media and the constant feeling that somebody else is watching and sort of wanting approval. and the sort of ability to be

it stars the 30—year—old welsh actress, morfydd clark, in herfirst major lead role.reat workers there. and also, kind of, just struggling in loneliness and it was kind of thinking about that every day with trying not to obsess about that every day. the film was written and directed by 31—year—old bafta rising star, rose glass. we kind of saw this film as a weird, messed up, fun character study that naturallyjust ended up veering into horror and i think it's a territory where you can sort of talk about quite interesting themes, but dressed up in quite a fun, crazy way. i've got more important things on my mind. i didn't have the characters on social media a lot. the relationship that she has with god, and in a way the audience of the film, is, in my mind anyway, quite similar to the relationship i see some people have with social media and the constant feeling that somebody else is watching and sort of wanting approval. and the sort of ability to be, on the one hand, incredibly lonely, like by herself in a room, as a lot of us have been particularly recently. but then

morfydd clark, soon to be seen in the brilliant saint maud, is the youngerjane, jilted at the altar bylater life. elsewhere in this impressively a—list brit—pick cast, alice lowe is jane's sympathetic sister, penelope wilson, her unsympathetic mother and billie piper, the chancer sibling looking for an opportunity to cash in onjane‘s misfortune. i'm claiming money on the sick for mental health, and they're coming around here shortly to examine me to make sure i'm in a nutjob. why, what's wrong? i've got what you've got. time of the month? written and directed by craig roberts, who made a splash in submarine and helmed 2015's justjim, eternal beauty is an ambitious film that has drawn comparison with the works of wes anderson, michel gondry, and charlie kaufman. you're the most beautiful thing i've seen today. can you shut up? personally, i was put more in mind of the very little—seen tim spall oddity stanley a man of variety, an equally adventurous work in which a psychiatric patient is visited by the ghosts of musical performers all played by spall himself. inspired by a relative to w

morfydd clark plays the titular private carer, nursing jennifer ehle's amanda, a dancer now facing thepectre of death. can you feel that? maud's duties include tending to amanda's physical needs cooking, cleaning, administering medication and basic physiotherapy. but having recently discovered god maud is more interested in saving amanda soul. indeed, she's convinced that the almighty has put her there with that specific purpose and she is going to do god's will weather amanda likes it or not. he's here? while trailers have been selling saint maud as horror film, in the mould of hereditary, glass's electrifying feature debut is actually closer in tone to such foreign language offerings as requiem or stations of the cross. like those films, saint maud is a character study centred on a troubled young woman who comes to believe that god or maybe the devil is working through her. a possibility that glass has carefully kept open ended. he's everywhere. but, that doesn't mean it isn't scary. i've seen saint maud three times and i've jumped at every viewing. each time in a different place. bu

morfydd clark plays the titular private carer, nursing jennifer ehle's amanda, a dancer now facing thecation and basic physiotherapy. but having recently discovered god maud is more interested in saving amanda soul. in fact, she's convinced that the almighty has put her there with that specific purpose and she is going to do gods will weather amanda likes it or not.

morfydd clark, soon to be seen in the brilliant saint maud, is the youngerjane, jilted at the altar byist brit—pick cast, alice lowe is jane's sympathetic sister, penelope wilson, her unsympathetic mother and billie piper, the chancer sibling looking for an opportunity to cash in onjane's misfortune. i'm claiming money on the sick for mental health, and they're coming around here shortly to examine me to make sure i'm in a nutjob. why, what's wrong? i've got what you've got. time of the month? written and directed by craig roberts, who made a splash in submarine and helmed 2015's justjim, eternal beauty is an ambitious film that has drawn comparison with the works of wes anderson, michel gondry, and charlie kaufman. you're the most beautiful thing i've seen today. can you shut up? personally, i was put more in mind of the very little—seen tim spall oddity stanley a man of variety, an equally adventurous work in which a psychiatric patient is visited by the ghosts of musical performers all played by spall himself. inspired by a relative to whom roberts wanted to pay tribute, and co—prod

morfydd clark plays the titular private carer, nursing jennifer ehle's amanda, a dancer now facing thec physiotherapy. but having recently discovered god maud is more interested in saving amanda soul. indeed, she's convinced that the almighty has put her there with that specific purpose and she is going to do god's will weather amanda likes it or not. he's here? while trailers have been selling saint maud as horror film, in the mould of hereditary, glass's electrifying feature debut is actually closer in tone to such foreign language offerings as requiem or stations of the cross. like those films, saint maud is a character study centred on a troubled young woman who comes to believe that god or maybe the devil is working through her. a possibility that glass has carefully kept open ended. he's everywhere. but, that doesn't mean it isn't scary. i've seen saint maud three times and i've jumped at every viewing. each time in a different place. but what gives the film its power is the fact that it's also a heartbreaking tale of loneliness. a study of isolation and obsession that deftly bal