carol morley is a visionary film—maker. is just brilliant and i really advice to you give it a go. it is so great to see a film—maker with such am by, it was shot 23428 days, but every frame is filmed with clues and details and i, i thought it was great. it is called out of blue, not out of the blue. why is that? because, because, you have to see the film to understand why. it is out of blue. it is between separate universes because i could go on about it all night. looking forward to that one. at eternity‘s gate. which is another film about the life of vincent van gogh. of which there have been many, most recently we had that brilliant animation loving vincent, described as the first oil painted animated film, that was breathtaking, this is willem dafoe, oscar—nominated willem dafoe, as we discovered vincent van gogh towards the later period of his life. i went to the museum in amsterdam. i said vincent van gogh? so we get his real life and his tussles with madness and with incarceration but also julian schnabel is attempt

it is made by carol morley, who made the falling. radical reinvention of martin amis‘s novel. carol morley said she set out to rescue the characters from the pages of the novel. there is a murder of an astrophysicist, investigated by a detective, mike hoolihan, and because it is an astrophysicist she interviews people who are interested in parallel universes who are interested in the conundrum of schrodinger‘s cat, that something can be alive and dead at the same time. it becomes far more cosmic and existential. the film starts in outer space. you know that powell and pressburgerfilm, a matter of life and death, which i love, such a great movie. it begins with what looks like an homage to powell and pressburger. then it kind of turns into this kaleidoscopic meditation on dual realities. i have seen the film now three times and every time i see more in it. there is this central tension between two characters, two colours, two realities, and it is one of those films that the more you look at it, the more you see. do you need to see it

so it's made by carol morley, who made the falling.martin amis but it's a radical reinvention of the novel. carol morley said that she set out to rescue the characters from the pages of the novel. the setup is there is a murder of an astrophysicist. it's being investigated by patricia clarkson‘s detective, mike hoolihan, and because it's an astrophysicist, she starts interviewing people who are interested in parallel universes, who are interested in the conundrum of schrodinger‘s cat, that something can be alive and dead at the same time. and what begins as a murder mystery becomes something far more cosmic and far meore existential. and the film starts in outer space, and you know that powell and pressburger film, a matter of life and death, which i love — such a great movie — it begins with what looks like an homage to powell and pressburger. and then it kind of turns into this kaleidoscopic meditation upon dual realities. i've seen the film now three times and every time i see it, i see more in it. there's this central tension betwe

it's made by carol morley, who made the falling. martin amis. carol morley said she set out to rescue the characters form the pages of the novel. there is a murder of an astrophysicist, investigated by a detective, mike hoolihan, and because it is an astrophysicist, she interviews people who are interested in parallel universes, who are interested in the conundrum of schrodinger‘s cat, that something can be alive and dead at the same time. and what begins as a murder mysters becomes something far more cosmic and existential. the film starts in outer space. you know that powell and pressburgerfilm, a matter of life and death, which i love, such a great movie. it begins with what looks like an homage to powell and pressburger, and then it kind of turns into this kaleidoscopic meditation upon dual realities. i've seen the film now three times and every time i see it, i see more in it. there's this central tension between two characters, between two colours, between two realities, and it's one of those films that the more you look at it

inaudible on my feet it all or your only will be an autopsy one mug and i'm a thing about morley and oh yes i got a. gun biro was released in two thousand and twelve together with other political prisoners including myanmar's current leader aung san suu kyi it marked the beginning of its transition. to democracy. but as a religious tensions between buddhists and muslims minorities started to surface the unity of the saffron revolution shattered. i mean that was in two thousand and twelve thousands of monks once again took to the streets this time they were shouting their support for the military and their call to export the injured. you gumby it up openly oppose this movement it's still determined that democracy was the only way forward for me and. repeatedly imprisoned and ostracized for his views he finally fled to thailand in two thousand and sixty. many in the myanmar believe the military still an important part of the governing structure intentionally fuel divisions amongst buddhist groups they quickly aligned with the most nationalistic buddhist leaders in hans in the army's po

we have out of blue, the new film by carol morley, who made the falling.

market is expecting perhaps a bit more, so that means a central bank that might want to give a bit morleyok at the stock markets this year they are down but they have been up, this is because while global growth is slowing the markets assume that central banks will be more generous withlyjedty position. central banks will be more generous withly jedty position. but central banks will be more generous withlyjedty position. but we need to look at the underlying reason, it has been a big disappointment that yes mar growth hasn't recovered. trade tensions for germany, that is a huge issue, that has been something that has been a big constraint. german economy, will it recover? some say it will because the labour market is strong, the unions have been demanding lots of pay rises but it is a bit of a disappointment that we do have such low growth in europe. and notjust there and there are concerns there could be slowing growth in other places as well. the us consumer seems to be slowing down, and that sort of adding to some issue, i saw today that the wall streetjournal, the dowjones today that

nearly two years ago former fbi director robert morley under mueller. was to take over the russian interference in 2016 presidential election.pr we know, no matter what the president says on twitter the facts are clear. i will take the word of our intelligence committee over vladimir putin any day. the question is whether the russians had any help and whether any crimes were committed to cover it up. none of us knows the answer to that. we do notot know what the specil counsel will conclude this investigation. there are some indications however, that it could be wrapping up soon. as we kick off sunshine week today the committee is considering age congress 24. the resolution makes clear that congress believes the american people should have access to the final report. the american people do not want it to be stashed away or hidden somewhere. in a recent cnn poll 87% of the public said they think the findings of the mueller investigation should be made public. let me be clear, moving this forward is not prejudging the investigations outcome. we do not kno

it is made by carol morley, who made the falling. to rescue the characters form the pages of the novel. there is a murder of an astrophysicist, investigated by a detective, mike hoolihan, and because it is an astro physicist, she interviews people who are interested in parallel universes, who are interested in the conundrum of schrodinger‘s cat, that something can be alive and dead at the same time. what begins as a murder mystery becomes far more cosmic and existential. the film starts in outer space. you know that powell and pressburgerfilm, a matter of life and death, which i love, such a great movie. it begins with what looks like an homage to powell and pressburger. then it kind of turns into this kaleidoscopic meditation on dual realities. i have seen the film now three times, and every time i see it, i see more in it. there is this central tension between two characters, two colours, two realities, and it is one of those films that the more you look at it, the more you see. do you need to see it three times to understand it? n