not the one who is the creator of brilliant performances, but there were brilliant performances at mortieroes not frighten me in any way, if i know that it is a good performance, then what he did, he opened these boundaries. and gave the opportunity to see a work of art in another territory, they removed from this narrow museum-like environment that the opera was located, and he put the opera in another space, you did the same thing in kurma then, you also changed not only the theater, you also changed the audience , yes, but i did it when i was first appointed, i had already worked with mortt before that. a long time ago from novosibirsk he worked with mortier, naturally he influenced me very much, this is the principle of how to look, how to breathe and how to open your boundaries, create no answers, the question creates new questions, art is for us to create new questions, and not for everyone to answer everything, you are very much in this similar in what you did to what you came up with and did? martya, here are the formats that you did in perm, i mean, in particular at the dyagerev f