department daytime directing daytime postgraduate study daytime then i was invited to the moscow art theater school for 2 years. i learned a lot there at the director's courses, higher and film school screenwriting department, then designing performances as a director . and as a stenographer. i also designed some of my performances, when i was graduating i was invited to work. uh, in three theaters, these are the theaters of the kupala markets and the youth theater and russian theater, not the closest. the theater fell, because there was that incredible tradition of the masters at that time, which allowed me to feel what real creativity is . and most importantly, then, when i went to moscow to study, 10 years after working in the theater there . to meet with boris vladimirovich erin, who, in general , created this theater, uh, under him the theater was called the age of boris because he just created a connection between the actors. that is, he explained that there are stages of interactions between actors, that you need to speak not to your ear, but to your partner’s eye to be able to process partn

department daytime director daytime postgraduate study daytime then i was invited to the moscow art theater school. i learned a lot there at the director's courses, higher and film school screenwriting department, then designing performances as a director . and as a stenographer. i also designed some of my performances, when i was graduating i was invited to work. uh, three theatre. these are the theater markets of kupala and the youth theater and the russian theater, not the closest. e was at the kupala theater because there is that incredible tradition of the masters at that time was, which allowed me to feel what real creativity is . and most importantly, later, when i went to moscow to study, 10 years after working in the theater there. to meet with boris vladimirovich erin, who, in general , created this theater, uh, under him the theater was called the age of boris because he just uh created a connection between the actors. that is, he explained that there are stages of interactions between actors, that there is, you need to speak not to the ear, but to the eye of the partner, to be able to

arts. i staged a graduation performance, squaring a circle, in the theater the idea is now a new drama theater, and right there i was invited to a higher directing course in moscow at a studio school difficult for the moscow art theater to leave everything. here. i worked in several theaters and hosted a television program to go there to a completely unfamiliar city. i have never been to moscow before. and now i do not regret it, because there were many periods when for several years i staged a premiere once a month. who did he learn from? meyerhold to wash everything merkhold, stanislavsky's student is just a grandson. peter the mercury. i was friends. ah. we met at the merhold museum and talked a lot with him, my main teacher in the theater was boris vladimirovich erin, he created the theater, yanka kupala, he gave me a lot, that is , some secrets are very precise, like a surgeon’s moments, they can only be transmitted by e . here's one person to another. if you think about whether i had some kind of boiling point when i would like to quit, no, because i work in three to four specialties. you constantly switch from one thing to another and there is no moment when you are standin

are you worthy a separate, for example, literary analysis, when i teach students, at the moscow art theater school, which i really love as an actor , not a philologist, of course. eh, so i propose to divide them into nabokovites and yeseninists in no way, without opposing the two geniuses of russian literature. i adore yesenin on the side, but still, uh, in a sense, these are poles , either life as such, nature, yes, or such an intoxication with beauty nabokov wrote that he hates a person who enters the forest and does not know what is the name of each weed and so further. this is, uh, an addition to the southern fullness. heat aesthetic vision is very important. it seems to me, yes, why do you say? look, and you are investigators in the sense that hmm, when the first edition of the book appeared, i heard that uh, it’s in vain that so many pages are devoted to kataev, because he, like so many authors, is reduced to a formula. yes , kataev is the author of the story a lonely sail turns white. come on, this is the trend of the regiment soviet economic soviet canon. and there is, uh, magnificent and

sovremennik with tobacco efremov, according to her, led her to the fact that she entered the moscow art theater schoolt how an artist lives this art for her became the incentive that she, perhaps , lacked. she only finished school in order to really start to work in the profession, that is, before that it was such a childish, maybe a hobby hobby, but on this film she consciously felt like a future actress. well , it seems to me that the most curious thing is for the context of the era, and the fact that she plays the sky of whom, and the gendarme, the play that she puts from cream with e. these are very relevant and important. heroine. of course, of course, then in 60-60. she appears as a heroine of the revolution in a broad sense, but look, this is how gleb panfilov started the film and a similar character appears in his previous film in firewalker. no put jean blow to dreaming. even tarkovsky, who writes about this in his diaries. in general, this is a very relevant figure for well, not only for that era. how much for the revolution as a whole, yes, and the anniversary of the revolution of course, e

sovremennik with tobacco efremov, according to her, led her to the fact that she entered the moscow art theater school about art about how the artist lives this art for her became the incentive that she, maybe, not enough. she only finished school in order to really start working in the profession, that is, before that it was such a childish thing, maybe a hobby, but on this film she consciously felt like a future actress. well, it seems to me that the most curious thing is for the context of the era, and the fact that she plays not about anyone, but the gendarme play, which she puts from cream with e. this is a very relevant important heroine. of course, of course, recouped from the concerts of the years. it appears the heroine of the revolution in a broad sense, but look, gleb addresses the same topic panfilov started the film and, well, a similar character appears in his previous film, firewalker. no put jean blow to dreaming. even tarkovsky, who writes about it in his diaries. in general, this is a very relevant figure for well, not so much for that era. how much for the revolution as a whole, yes

well, i graduated from the academy of arts, acting department, daytime directing daytime graduate school, then i was invited to the moscow art theaterthe director's courses, higher and film school screenwriting department, then designing performances as a director. i graduated from school at the academy of arts of the stage designer course. and as a stenographer. i also designed some of my performances, when i was graduating i was invited to work. uh, three theatres. these are the markets of kupala e, the youth theater and the russian theater, not the closest. e was there theater i bathed because there was that incredible tradition of the masters at that time, which allowed me to feel what real creativity is. and most importantly, later, when i went to moscow to study, 10 years after working in the theater there. to meet with boris vladimirovich erin, who , in general, created this theater, uh, under him the theater was called the age of boris because he just uh created a connection between the actors. that is, he explained that there are stages of interactions between actors, what is uh, you need to say no to your ear, and the part

a young graduate of the moscow art theater school dina korzun met her future husband when he was by the he wrote a song in french, he came to russia from new york to study as an actor according to the stanislavsky system , oleg tabakov himself was subdued by his talent when he saw louis in the role of king charles the seventh dino fell in love without turning into a foreigner and followed her husband to switzerland belgium great britain we are all more than just residents. there one city of moscow or a family member or a citizen of any one state is primarily just a part of humanity. i didn't go anywhere. i live on this planet to make an international career. there is no doubt a day course. she managed to work in hollywood, was nominated for awards, as the best actress at prestigious international film festivals, worked at the royal national theater in london and even starred in the cult british tv series peaky blinders, 20 years of a successful international career. london was the home of dina korzun, as it turned out for a while, but became the birthplace of her two daughters and tala

the famous moscow art theater arrived and the main concern is where to get tickets for performances. the moscow art theater brought four performances at the bottom of trubin's days the school of slander and the butt or the deceiver tartuffe will gather here on june 21, the first persons of the republic were so looking forward to this production in the house of the red army, a performance of the moscow theater took place moscow art theater which was attended by both the leadership of our republic and the command. eh, the western special military district, the city was on the ears from the arrival. hata, there were only talks. how to get there? how to get a ticket? how is it that there was even a rally. eh? when meeting all this corpses of the moscow art theater and in general. in fact, before the start of the war, there were only talks. moscow art theater moscow-mkhad applause in the house of the red army will last a long time the beginning of the performance 20:00 in the play by the french playwright. jean baptiste molière. 5 steps more informal communication with the audience and none of the audience yet knows hitler has prepared. they have a completely different theater

arts. i staged a graduation performance, squaring the circle in the theater is the idea of ​​all the rest of the drama theater. and then i was invited to higher courses in moscow at school was difficult for the moscow art theater to leave everything. here. i worked in several theaters and hosted a television program to go there to a completely unfamiliar city. i have never been to moscow before. and now i don't regret it, because a lot was created during the periods when for several years i staged, uh, a premiere once a month. and from whom he studied, holda died all on behalf of the hold student of stanislavsky , just a grandson. peter the mercury. i was friends. ah. we met at the merkhold museum and talked a lot with him, my main teacher in the theater was boris vladimirovich erin , he created the theater, yanka kupala, he gave me a lot, that is, some very precise moments like a surgeon’s secrets, they can only be transmitted by a here's one person to another. if you think about whether i had some kind of boiling point when i would like everything quit no, because i work in three to four specialties. you constantly switch from one thing to another and there is no mome

arts. i staged a graduation performance, squaring a circle, in the theater the idea is now a new drama theater, and right there i was invited to a higher director's course in moscow at schoolas difficult for the moscow art theater to leave everything. here. i worked in several theaters and hosted a program on television to go there completely unfamiliar city. i have never been to moscow before. and now i do not regret it, because there were many periods when for several years i staged a premiere once a month. and from whom i learned this from meyerhold, i note everything merkhold, a student of stanislavsky, just a grandson of peter the mercurial, i was friends. ah. we met at the merhold museum and talked a lot with him, my main teacher in the theater was boris vladimirovich erin, he created the theater, yanka kupala, he gave me a lot, that is , some very accurate secrets like a surgeon’s moments, they can only pass and here is one person to another. if you think about whether i had some kind of boiling point when i would like to quit, no, because i work in three to four specialties. you constantly switch from one thing to another and there is no moment when you are standin

and her agents are theater directors who have always seen in lyudmila dmitrieva not just fireworks from a krutalant, having given birth to a studio school in the fourth year. moscow art karlovich munikov. he did not forgive her pregnancy and removed from all roles, then she decided to appear to the teacher oleg nikolaevich efremov. he sits like that, seriously, look , a theater is being organized. i have a cop. nowhere. well, you know, i don't have a very bad relationship. i don't go there. let's see. and is silent, i understood that all the krants quietly left, came home, burst into tears, that i was all on the street , i was nowhere and that very evening, when ours were playing cards, i received a call from the theater of the moscow art theater , the secretary called and said, lyudochka please come and get the role for you oleg nikolaevich gives the main role in the performances of nina or everything so i got around until 1990 . the actress has played more than twenty roles on the stage of the famous stage, but after 15 years of fame and success, you hut. she again became a victim of pregnancy relations with efremov went downhill few who were touring, and i was alr

arts. i staged a graduation performance, squaring a circle, in the theater the idea is now a new drama theater, and right there i was invited to a higher directing course in moscow at a stukhat school it was very difficult to leave everything. here. i worked in several theaters and hosted a television program to go there to a completely unfamiliar city. i have never been to moscow before. and now i do not regret it, because there were many periods when for several years i staged a premiere once a month. and from whom did he study with meyerhold ? peter the mercury. i was friends. ah. we met at the merhold museum and talked a lot with him . my main teacher in the theater was boris vladimirovich erin, he created the theater, yanka kupala, he gave me a lot, that is , some very precise moments like a surgeon’s secrets, they can only be transferred but one person to another. if you think about whether i had some kind of boiling point when i would like to quit, no, because i work in three to four specialties. you constantly switch from one thing to another and there is no moment when you are standing near the wall and thinking what to do with it. why is everything so it seems to me that

tricks will help you work with tiles, even if you don't have a crown, good luck. at the moscow theater school of dramatic artould seem that a family idyll is actually an illusion in the theater school of dramatic art. new staging to the last work of maxim gorky vasa zheleznov is a tragedy, a talented and very strong woman, the owner of a steamship company , ready to do anything for her business. all the situations in which it gets into you. god forbid anyone. moreover, it must be taken into account that she is only 42 years old. she gave birth to nine children survived only three absolutely lonely people. no support. no idea for a performance. it came up during the pandemic. three years later. the loud premiere for the director igor yatskov was important precisely, the second edition of the play. the first version was written in the tenth year, when the revolution had not yet taken place, tsia was just beginning, and the second version was written in the thirty-fifth year, when gorky had already tasted it with the movement of these tectonic plates filled with some kind of covenant. as in everything that happ

school. the moscow art theater was left alone, invited two classmates to live with her, and then there was suchish bones. he's gone, he's completely solid. and we wiped it on a grater and sprinkled semolina porridge on the water with this cheese. this is what she dreamed of playing in the movie the heroine, losing her head from love failed. but in life, a dizzying romance with the physicist valery milyaev turned into a long happy brother. here comes a man to himself. i smile with my head, i see some trifle heart, well, something is wrong, the author of this song is her husband, and many other hits were written by lyudmila herself ivanov they were performed by maya kristalinskaya anna german gelena velikanova often began her concert with the song it seems like a thread, but why does it seem that between me and you the thread will be tied with a stick, sometimes on an armchair. she played on the stage of her native sovremennik and soon took her away right during the performance. lyudmila ivanova went on stage to the end, because she could not let down the audience who loved her so much. what is i