and then when i did moulin rouge! it was like, why do you want to do the gatsby? please!o gatsby." there's cajoling, convincing, convincing yourself, convincing others. leonardo being a great partner in that process, toby being a great partner in that process. dicaprio and maguire, we should say. yeah. getting them on... a—list hollywood people. yeah, but also artists that want to make sure they're making something different. and so what i'm saying is, i mean, you know, let me just say, all that stuff you identified... yeah. gatsby, rightly, whether you like it or you don't, and whether i made the right choices or not, it's a very quiet internal narration about a very noisy time, about a very brightly coloured, noisy time. so i, rightly or wrongly, exploited that. which is a great cue just to have a little look, another flavour of your movie—making, by having a look at one of the memorable scenes from the great gatsby. let's have a look at this. thanks. i cannot find anyone who knows anything real about mr gatsby. well, i don't care. he gives large parties, and i like lar